[100] Cf. Soph. Ant. 806 sqq. The whole of this passage has been admirably illustrated by the Cambridge editor.

[101] There is much awkwardness about this epithet πατρωιαι. One would expect a clearer reference to Agamemnon. I scarcely can suppose it correct, although I do not quite see my way in the Cambridge editor's readings.

[102] Porson, Præf. ad Hec. p. xxi., and the Cambridge editor (p. 228 sqq.) have concurred in fully condemning the whole of this last scene. It is certain that in the time of Ælian something different must have been in existence, and equally certain that the whole abounds in repetitions and inconsistencies, that seem to point either to spuriousness, or, at least, to the existence of interpolations of a serious character. In this latter opinion Matthiæ and Dindorf agree.

[103] An allusion to the celebrated picture of Timanthes. See Barnes.

[104] I have done my best with this passage, following Matthiæ's explanation, which, however, I do not perfectly understand. If vs. 1567 were away, we should be less at a loss, but the same may be said of the whole scene.


IPHIGENIA IN TAURIS.


PERSONS REPRESENTED.