The Judge and Mr. Snivel have found it convenient to make a trip of pleasure into the country. And though the affair creates some little comment in fashionable society, it would be exceedingly unpopular to pry too deeply into the private affairs of men high in office. We are not encumbered with scrutinizing morality. Being an "unfortunate woman," the law cannot condescend to deal with her case. Indeed, were it brought before a judge, and the judge to find himself sitting in judgment upon a judge, his feelings would find some means of defrauding his judgment, while society would carefully close the shutter of its sanctity.

At high noon there comes a man of the name of Moon, commonly called Mr. Moon, the good-natured Coroner. In truth, a better-humored man than Mr. Moon cannot be found; and what is more, he has the happiest way in the world of disposing of such cases, and getting verdicts of his jury exactly suited to circumstances. Mr. Moon never proceeds to business without regaling his jury with good brandy and high-flavored cigars. In this instance he has bustled about and got together six very solemn and seriously-disposed gentlemen, who proceed to deliberate. "A mystery hangs over the case," says one. A second shakes his head, and views the body as if anxious to get away. A third says, reprovingly, that "such cases are coming too frequent." Mr. Moon explains the attendant circumstances, and puts a changed face on the whole affair. One juryman chalks, and another juryman chalks, and Mr. Moon says, by way of bringing the matter to a settled point, "It is a bad ending to a wretched life." A solemn stillness ensues, and then follows the verdict. The body being identified as that of one Anna Bonard, a woman celebrated for her beauty, but of notorious reputation, the jury are of opinion (having duly weighed the circumstances) that she came to her melancholy death by the hands of one George Mullholland, who was prompted to commit the act for some cause to the jury unknown. And the jury, in passing the case over to the authorities, recommend that the said Mullholland be brought to justice. This done, Mr. Moon orders her burial, and the jury hasten home, fully confident of having performed their duty unswerved.

When night came, when all was hushed without, and the silence within was broken only by the cricket's chirp, when the lone watcher, the faithful old slave, sat beside the cold, shrouded figure, when the dim light of the chamber of death seemed mingling with the shadows of departed souls, there appeared in the room, like a vision, the tall figure of a female, wrapped in a dark mantle. Slowly and noiselessly she stole to the side of the deceased, stood motionless and statue-like for several minutes, her eyes fixed in mute contemplation on the face of the corpse. The watcher looked and started back, still the figure remained motionless. Raising her right hand to her chin, pensively, she lifted her eyes heavenward, and in that silent appeal, in those dewy tears that glistened in her great orbs, in those words that seemed freezing to her quivering lips, the fierce struggle waging in that bosom was told. She heard the words, "You cannot redeem me now!" knelling in her ears, her thoughts flashed back over years of remorse, to the day of her error, and she saw rising up as it were before her, like a spectre from the tomb, seeking retribution, the image of the child she had sacrificed to her vanity. She pressed and pressed the cold hand, so delicate, so like her own; she unbared the round, snowy arm, and there beheld the imprinted hearts, and the broken anchor! Her pent-up grief then burst its bounds, the tears rolled down her cheeks, her lips quivered, her hand trembled, and her very blood seemed as ice in her veins. She cast a hurried glance round the room, a calm and serene smile seemed lighting up the features of the lifeless woman, and she bent over her, and kissed and kissed her cold, marble-like brow, and bathed it with her burning tears. It was a last sad offering; and having bestowed it, she turned slowly away, and disappeared. It was Madame Montford, who came a day too late to save the storm-tossed girl, but returned to think of the hereafter of her own soul.

CHAPTER XLV.

ANOTHER SHADE OF THE PICTURE.

WHILE the earth of Potter's Field is closing over all that remains of Anna Bonard, Maria McArthur may be seen, snatching a moment of rest, as it were, seated under the shade of a tree on the Battery, musing, as is her wont. The ships sail by cheerily, there is a touching beauty about the landscape before her, all nature seems glad. Even the heavens smile serenely; and a genial warmth breathes through the soft air. "Truly the Allwise," she says within herself, "will be my protector, and is chastising me while consecrating something to my good. Mr. Keepum has made my father's release the condition of my ruin. But he is but flesh and blood, and I—no, I am not yet a slave! The virtue of the poor, truly, doth hang by tender threads; but I am resolved to die struggling to preserve it." And a light, as of some future joy, rises up in her fancy, and gives her new strength.

The German family have removed from the house in which she occupies a room, and in its place are come two women of doubtful character. Still, necessity compels her to remain in it; for though it is a means resorted to by Keepum to effect his purpose, she cannot remove without being followed, and harassed by him. Strong in the consciousness of her own purity, and doubly incensed at the proof of what extremes the designer will condescend to, she nerves herself for the struggle she sees before her. True, she was under the same roof with them; she was subjected to many inconveniencies by their presence; but not all their flattering inducements could change her resolution. Nevertheless, the resolution of a helpless female does not protect her from the insults of heartless men. She returns home to find that Mother Rumor, with her thousand tongues, is circulating all kinds of evil reports about her. It is even asserted that she has become an abandoned woman, and is the occupant of a house of doubtful repute. And this, instead of enlisting the sympathies of some kind heart, rather increases the prejudice and coldness of those upon whom she has depended for work. It is seldom the story of suffering innocence finds listeners. The sufferer is too frequently required to qualify in crime, before she becomes an object of sympathy.

She returns, one day, some work just finished for one of our high old families, the lady of which makes it a boast that she is always engaged in "laudable pursuits of a humane kind." The lady sends her servant to the door with the pittance due, and begs to say she is sorry to hear of the life Miss McArthur is leading, and requests she will not show herself at the house again. Mortified in her feelings, Maria begs an interview; but the servant soon returns an answer that her Missus cannot descend to anything of the kind. Our high old families despise working people, and wall themselves up against the poor, whose virtue they regard as an exceedingly cheap commodity. Our high old families choose rather to charge guilt, and deny the right to prove innocence.

With the four shillings, Maria, weeping, turns from the door, procures some bread and coffee, and wends her way to the old prison. But the chords of her resolution are shaken, the cold repulse has gone like poison to her heart. The ray of joy that was lighting up her future, seems passing away; whilst fainter and fainter comes the hope of once more greeting her lover. She sees vice pampered by the rich, and poor virtue begging at their doors. She sees a price set upon her own ruin; she sees men in high places waiting with eager passion the moment when the thread of her resolution will give out. The cloud of her night does, indeed, seem darkening again.

But she gains the prison, and falters as she enters the cell where the old Antiquary, his brow furrowed deep of age, sleeps calmly upon his cot. Near his hand, which he has raised over his head, lays a letter, with the envelope broken. Maria's quick eye flashes over the superscription, and recognizes in it the hand of Tom Swiggs. A transport of joy fills her bosom with emotions she has no power to constrain. She trembles from head to foot; fancies mingled with joys and fears crowd rapidly upon her thoughts. She grasps it with feelings frantic of joy, and holds it in her shaking hand; the shock has nigh overcome her. The hope in which she has so long found comfort and strength-that has so long buoyed her up, and carried her safely through trials, has truly been her beacon light. "Truly," she says within herself, "the dawn of my morning is brightening now." She opens the envelope, and finds a letter enclosed to her. "Oh! yes, yes, yes! it is him-it is from him!" she stammers, in the exuberance of her wild joy. And now the words, "You are richer than me," flash through her thoughts with revealed significance.