Maria grasps the old man's hand. He starts and wakes, as if unconscious of his situation, then fixes his eyes upon her with a steady, vacant gaze. Then, with childlike fervor, he presses her hand to his lips, and kisses it. "It was a pleasant dream—ah! yes, I was dreaming all things went so well!" Again a change comes over his countenance, and he glances round the room, with a wild and confused look. "Am I yet in prison?-well, it was only a dream. If death were like dreaming, I would crave it to take me to its peace, that my mind might no longer be harassed with the troubles of this life. Ah! there, there!"—(the old man starts suddenly, as if a thought has flashed upon him)—" there is the letter, and from poor Tom, too! I only broke the envelope. I have not opened it."
"It is safe, father; I have it," resumes Maria, holding it before him, unopened, as the words tremble upon her lips. One moment she fears it may convey bad news, and in the next she is overjoyed with the hope that it brings tidings of the safety and return of him for whose welfare she breathed many a prayer. Pale and agitated, she hesitates a moment, then proceeds to open it.
"Father, father! heaven has shielded me-heaven has shielded me! Ha! ha! ha! yes, yes, yes! He is safe! he is safe!" And she breaks out into one wild exclamation of joy, presses the letter to her lips, and kisses it, and moistens it with her tears. "It was all a plot-a dark plot set for my ruin!" she mutters, and sinks back, overcome with her emotions. The old man fondles her to his bosom, his white beard flowing over her suffused cheeks, and his tears mingling with hers. And here she remains, until the anguish of her joy runs out, and her mind resumes its wonted calm.
Having broken the spell, she reads the letter to the enraptured old man. Tom has arrived in New York; explains the cause of his long absence; speaks of several letters he has transmitted by post, (which she never received;) and his readiness to proceed to Charleston, by steamer, in a few days. His letter is warm with love and constancy; he recurs to old associations; he recounts his remembrance of the many kindnesses he received at the hands of her father, when homeless; of the care, to which he owes his reform, bestowed upon him by herself, and his burning anxiety to clasp her to his bosom.
A second thought flashes upon her fevered brain. Am I not the subject of slander! Am I not contaminated by associations? Has not society sought to clothe me with shame? Truth bends before falsehood, and virtue withers under the rust of slandering tongues. Again a storm rises up before her, and she feels the poisoned arrow piercing deep into her heart. Am I not living under the very roof that will confirm the slanders of mine enemies? she asks herself. And the answer rings back in confirmation upon her too sensitive ears, and fastens itself in her feelings like a reptile with deadly fangs. No; she is not yet free from her enemies. They have the power of falsifying her to her lover. The thought fills her bosom with sad emotions. Strong in the consciousness of her virtue, she feels how weak she is in the walks of the worldly. Her persecutors are guilty, but being all-powerful may seek in still further damaging her character, a means of shielding themselves from merited retribution. It is the natural expedient of bad men in power to fasten crime upon the weak they have injured.
Only a few days have to elapse, then, and Maria will be face to face with him in whom her fondest hopes have found refuge; but even in those few days it will be our duty to show how much injury may be inflicted upon the weak by the powerful.
The old Antiquary observes the change that has come so suddenly over Maria's feelings, but his entreaties fail to elicit the cause. Shall she return to the house made doubtful by its frail occupants; or shall she crave the jailer's permission to let her remain and share her father's cell? Ah! solicitude for her father settles the question. The alternative may increase his apprehensions, and with them his sufferings. Night comes on; she kisses him, bids him a fond adieu, and with an aching heart returns to the house that has brought so much scandal upon her.
On reaching the door she finds the house turned into a bivouac of revelry; her own chamber is invaded, and young men and women are making night jubilant over Champagne and cigars. Mr. Keepum and the Hon. Mr. Snivel are prominent among the carousers; and both are hectic of dissipation. Shall she flee back to the prison? Shall she go cast herself at the mercy of the keeper? As she is about following the thought with the act, she is seized rudely by the arms, dragged into the scene of carousal, and made the object of coarse jokes. One insists that she must come forward and drink; another holds an effervescing glass to her lips; a third says he regards her modesty out of place, and demands that she drown it with mellowing drinks. The almost helpless girl shrieks, and struggles to free herself from the grasp of her enemies. Mr. Snivel, thinking it highly improper that such cries go free, catches her in his arms, and places his hand over her mouth. "Caught among queer birds at last," he says, throwing an insidious wink at Keepum. "Will flock together, eh?"
As if suddenly invested with herculean strength, Maria hurls the ruffian from her, and lays him prostrate on the floor. In his fall the table is overset, and bottles, decanters and sundry cut glass accompaniments, are spread in a confused mass on the floor. Suddenly Mr. Keepum extinguishes the lights. This is the signal for a scene of uproar and confusion we leave the reader to picture in his imagination. The cry of "murder" is followed quickly by the cry of "watch, watch!" and when the guardmen appear, which they are not long in doing, it is seen that the very chivalric gentlemen have taken themselves off-left, as a prey for the guard, only Maria and three frail females.
Cries, entreaties, and explanations, are all useless with such men as our guard is composed of. Her clothes are torn, and she is found rioting in disreputable company. The sergeant of the guard says, "Being thus disagreeably caught, she must abide the penalty. It may teach you how to model your morals," he adds; and straightway, at midnight, she is dragged to the guard-house, and in spite of her entreaties, locked up in a cell with the outcast women. "Will you not hear me? will you not allow an innocent woman to speak in her own behalf? Do, I beg, I beseech, I implore you-listen but for a minute-render me justice, and save me from this last step of shame and disgrace," she appeals to the sergeant, as the cell door closes upon her.