Abu Tammam Habib, the celebrated poet, according to Ibn Khallikan, 'surpassed all his contemporaries in the purity of his style, the merit of his poetry, and his excellent manner of treating a subject. He is the author of a Hamasa, a compilation which is a standing proof of his great talents, solid information, and good taste in making a selection.' He wrote several other works connected with poets and poetry, composed many Kasidas, and knew by heart, it is said, fourteen thousand verses of that class of compositions called Rajaz, or free metre. The poetry of Abu Tammam was put in order for the first time by Abu Bakr as Sauli, who arranged it alphabetically, according to the rhymes, and then Abul Faraj Ali bin Husain Al-Ispahani classed it according to the subjects. He died at Mosul A.D. 845, about forty years of age, and was buried there; but his verses have survived, and rendered him one of the immortals.
The mantle of the poet Abu Tammam appears to have fallen on Abu Abada Al-Bohtori, who was born in A.D. 821, and, like his predecessor, is also the author of a Hamasa. He appears to have received his first encouragement to persevere as a poet from Abu Tammam, and later on he says: 'I recited to Abu Tammam a poem which I had composed in honour of one of the Humaid family, and by which I gained a large sum of money. When I finished he exclaimed: "Very good! You shall be the prince of poets when I am no more." These words gave me more pleasure than all the wealth which I had collected.' On being asked whether he or Abu Tammam was the better poet, Al-Bohtori replied: 'His best pieces surpass the best of mine, and my worst are better than the worst of his,' Abul-Ala al Maarri, a great philologist and poet (born in A.D. 973, died A.D. 1057), was asked which was the best poet of the three, Abu Tammam, Al-Bohtori, or Al-Mutanabbi; he replied that two of them were moralists, and that Bohtori was the poet. He died A.D. 897. His poems were not arranged in order till Abu Bakr as Sauli collected them and classed them alphabetically by their rhymes, while Abul Faraj Ali bin Husain Al-Ispahani collected them also, and arranged them according to their subjects. A copy of his 'Diwan' is in the Bibliothèque Nationale in Paris.
Al Mutanabbi, or the pretended prophet, a rôle to which he aspired, but in which he did not succeed, comes next to the two great poets—Abu Tammam and Al-Bohtori—though some critics consider him to be superior to them. He is, however, generally acknowledged to be a great lyric poet, while many of his best Kasidas refer to the exploits of Saif ad Dawlah, a prince of the Benou Hamdan dynasty in Syria. After leaving him he went to Egypt, then to Persia, Baghdad, and finally Kufa, his native place, near which he was killed in a fight in A.D. 965. It is stated that in this contest Mutanabbi, seeing himself vanquished, was taking to flight, when his slave said to him, 'Let it never be said that you fled from a fight, you who are the author of this verse: "The horse, and the night, and the desert know me (well); the sword also, and the lance, and paper and the pen."'
Upon this he turned back and fought till he was slain, along with his son and his slave. His 'Diwan,' or collection of poems, is well known, and much read in our times, even in India. It has been translated into German.
An-Nami was one of the ablest and most talented poets of his time, but inferior to Mutanabbi, with whom he had some encounters and contests in reciting extemporary verses when they were at the court of Saif ad Dawlah together. He died A.D. 1008 at Aleppo, aged ninety.
Abul-Abbas Al-Mofadhdhal, the collector of the celebrated selection of Arabic poems called the 'Mofadhdhaliat,' which served as a model for the Hamasas, was the first editor of the seven suspended poems, the Mua'llakat, and also one of the earliest of the Arab philologists. He was a native of Kufa, and adhered to the faction of Ibrahim bin Abdallah; who rebelled in A.D. 761 against Al-Mansur, the second Abbaside Khalif. Al-Mansur, however, pardoned Al-Mofadhdhal, and attached him to the household of his son, Al-Mahdi, by whose orders Mofadhdhal made a collection of the most celebrated longer poems of the Arabs, one hundred and twenty-eight in number, under the title of the Mofadhdhaliat. This, the oldest anthology of Arabian poets, was first commented upon by his disciple, Al-Aarabi; then two hundred years later by the two great philologists and anthologists, Al-Anbari and An-Nahas; by Merzuk; and lastly by Tibrizi, who is sufficiently known in Europe as the editor and commentator of the Hamasa, published by Freytag with a Latin translation. Mofadhdhal supported himself as a copyist of the Koran, and spent the last portion of his life in mosques doing penance for the satires which he had composed against various individuals. His other works were a book of proverbs, a treatise on prosody, another on the ideas usually expressed in poetry, and a vocabulary. He was held to be of the first authority as a philologist, a genealogist, and a relator of the poems and battle-lays of the desert Arabs. He died A.D. 784.
Abul Faraj Ali bin Husain Al-Ispahani is the collector of the great anthology called 'Kitab-ul-Aghani' (the Book of Songs). This work, which surpasses all former ones of this name, he produced after a labour of forty years, and presented it to Saif ad Dawlah, who gave him a thousand pieces of gold for it, but excused himself at the same time for the smallness of this honorarium. In spite of his other works, and the long string of names given him by Ibn Khallikan, he is best known as Al-Ispahani, and as the author of the Aghani. His family inhabited Ispahan, but he passed his early youth in Baghdad, and became the most distinguished scholar and most eminent author of that city. He was born A.D. 897, and died A.D. 967, in which year also died the great scholar Kali, and the three greatest of his patrons, namely, Saif ad Dawlah, the sovereign of the Benou Hamdan in Syria; Moiz ud Dawlah, the sovereign of the Benou Bujeh in Irak; and Kafur, who governed Egypt in the name of the Akhsid dynasty. The 'Book of Songs,' notwithstanding its title, is an important biographical dictionary, treating of grammar, history and science, as well as of poetry.
Mention can here be made of Abu Muhammad Kassim Al-Hariri, who was one of the ablest writers of his time, and the author of the 'Makâmat Hariri,' a work consisting of fifty oratorical, poetical, moral, encomiastic and satirical discourses, supposed to have been spoken or read in public assemblies. Poets, historians, grammarians and lexicographers look upon the 'Makâmat' (Assemblies or Séances) as the highest authority, and next to the Koran, as far at least as language is concerned. It contains a large portion of the language spoken by the Arabs of the desert, such as its idioms, its proverbs, and its subtle delicacies of expression; and, according to Ibn Khallikan, any person who acquires a sufficient acquaintance with this book to understand it rightly, will be led to acknowledge the eminent merit of the author, his extensive information, and his vast abilities. A great number of persons have commented on the 'Makâmat,' some in long and others in short treatises, and many consider it to be the most elegantly written, and the most amusing, work in the Arabic language. Hariri was born A.D. 1054, and died at Busra A.D. 1122. He left some other good works in the shape of treatises, epistles, and a great number of poetical pieces, besides those contained in his 'Makâmat.'
There are two translations of the 'Makâmat' into English. One by the Reverend Theodore Preston, printed under the patronage of the Oriental Translation Fund, London, 1850. It contains only twenty of the fifty pieces in verse, with copious notes, while an epitome of the remaining thirty pieces is given at the end of the book. The other by the late Mr. Chennery, which ends with the twenty-sixth assembly or séance. The whole work was edited in Arabic, with a select commentary upon it in French, by Baron Silvestre de Sacy, and this was reprinted in 1847. Ruckert also made a very free translation of it in German verse, which reached a third edition in 1844, but this differs widely from the contents of the original, though it is said to be more pleasing and attractive to a general reader.
After the Muslim legal sciences had been established upon the fourfold foundations of the Koran, tradition, general consent of communities, and the analogies derived therefrom, then philosophy and mathematics began to flourish by translations made either directly from the Greek or through Syriac and Persian.