A Roman Singer

by F. Marion Crawford

"What?" asked Nino, annoyed at the persistence of the woman.

"Why need you be afraid to understand me? Can you not forgive me? Can you not believe in me that I will be your friend? I have always dreamed of being the friend of a great artist. Let me be yours, and believe me, the thing you have in your heart shall be done."

"I would like to hope so," he said. But he smiled incredulously. "I can only say that if you can accomplish what it is in my heart to do, I will go through fire and water at your bidding; and if you are not mocking me, I am very grateful for the offer. But if you please, signora, we will not speak any more of this at present. I may be a great artist some day. Sometimes I feel sure that I shall. But now I am simply Giovanni Cardegna, teacher of literature; and the highest favour you can confer on me is not to deprive me of my means of support by revealing to the Conte di Lira my other occupation. I may fail hopelessly at the outset of my artistic career, and in that case I shall certainly remain a teacher of language."

"Very well," said the baroness, in a subdued voice; for, in spite of her will and wilfulness, this square-faced boy of mine was more than a match for her. "Very well, you will believe me another day, and now I will ask you to go, for I am tired."

I cannot be interrupted by your silly questions about the exact way in which things happened. I must tell this story in my own way or not at all; and I am sacrificing a great deal to your taste in cutting out all the little things that I really most enjoy telling. Whether you are astonished at the conduct of the baroness, after a three weeks' acquaintance, or not, I care not a fig. It is just the way it happened, and I daresay she was really madly in love with Nino. If I had been Nino I should have been in love with her. But I would like you to admire my boy's audacity, and to review the situation, before I go on to speak of that important event in his life, his first appearance on the boards of the opera. At the time of his début he was still disguised as a teacher of Italian to the young contessina. She thought him interesting and intelligent, but that was all. Her thoughts were entirely, though secretly, engrossed by the mysterious singer whom she had heard twice but had not seen as far as she knew. Nino, on the other hand, loved her to desperation, and would have acted like a madman had he been deprived of his privilege of speaking to her three times a week. He loved her with the same earnest determination to win her that he had shown for years in the study of his art, and with all the rest of his nature besides, which is saying much—not to mention his soul, of which he thinks a great deal more than I do.

Besides this, the baroness had apparently fallen in love with him, had made him her intimate, and flattered him in a way to turn his head. Then she seemed to have thought better of her passion, and had promised him her friendship,—a promise which he himself considered of no importance whatever. As for the old Conte de Lira, he read the German newspapers, and cared for none of these things. De Pretis took an extra pinch of his good snuff, when he thought that his liberal ideas might yet be realised, and a man from the people marry a great lady by fairly winning her. Do not, after this, complain that I have left you in the dark, or that you do not know how it happened. It is as clear as water, and it was about four months from the time Nino saw Hedwig in St. Peter's to the time when he first sang in public.

Christmas passed by,—thank heaven the municipality has driven away those most detestable pifferari who played on their discordant bagpipes at every corner for a fortnight, and nearly drove me crazy,—and the Befana, as we call the Epiphany in Rome, was gone, with its gay racket, and the night fair in the Piazza Navona, and the days for Nino's first appearance drew near. I never knew anything about the business arrangements for the début, since De Pretis settled all that with Jacovacci, the impresario; but I know that there were many rehearsals, and that I was obliged to stand security to the theatrical tailor, together with De Pretis, in order that Nino might have his dress made. As for the cowl in the last act, De Pretis has a brother who is a monk, and between them they put together a very decent friar's costume; and Mariuccia had a good piece of rope which Nino used for a girdle.

"What does it matter?" he said, with much good sense. "For if I sing well, they will not look at my monk's hood; and if I sing badly, I may be dressed like the Holy Father and they will hiss me just the same. But in the beginning I must look like a courtier, and be dressed like one."

"I suppose so," said I; "but I wish you had taken to philosophy."