"Now, then," said he, preparing for a tussle, "what is the matter, my dear maestro?" but Ercole had expended most of his fury already.
"The matter!" he grumbled. "The matter is that I have lost an excellent pupil through you. Count Lira says he does not require my services any longer, and the man who brought the note says they are going away."
"Diavolo!" said Nino, running his fingers through his curly black hair, "it is indeed serious. Where are they going?"
"How should I know?" asked De Pretis angrily. "I care much more about losing the lesson than about where they are going. I shall not follow them, I promise you. I cannot take the basilica of St. Peter about with me in my pocket, can I?"
And so he was angry at first, and at length he was pacified, and finally he advised Nino to discover immediately where the count and his daughter were going; and if it were to any great capital, to endeavour to make a contract to sing there. Lent came early that year, and Nino was free at the end of Carnival,—not many days longer to wait. This was the plan that had instantly formed itself in Nino's brain. De Pretis is really a most obliging man, but one cannot wonder that he should be annoyed at the result of Nino's four months' courtship under such great difficulties, when it seemed that all their efforts had led only to the sudden departure of his lady-love. As for me, I advised Nino to let the whole matter drop then and there. I told him he would soon get over his foolish passion, and that a statue like Hedwig could never suffer anything, since she could never feel. But he glared at me, and did as he liked, just as he always has done.
The message on the handkerchief that Nino had received the night before warned him to keep away from the Palazzo Carmandola. Nino reflected that this warning was probably due to Hedwig's anxiety for his personal safety, and he resolved to risk anything rather than remain in ignorance of her destination. It must be a case of giving some signal. But this evening he had to sing at the theatre, and, therefore, without more ado, he left us, and went to bed again, where he stayed until twelve o'clock. Then he went to rehearsal, arriving an hour behind time, at least, a matter which he treated with the coolest indifference. After that he got a pound of small shot, and amused himself with throwing a few at a time at the kitchen window from the little court at the back of our house, where the well is. It seemed a strangely childish amusement for a great singer.
Having sung successfully through his opera that night, he had supper with us, as usual, and then went out. Of course he told me afterwards what he did. He went to his old post under the windows of the Palazzo Carmandola, and as soon as all was dark he began to throw small shot up at Hedwig's window. He now profited by his practice in the afternoon, for he made the panes rattle with the little bits of lead, several times. At last he was rewarded. Very slowly the window opened, and Hedwig's voice spoke in a low tone:
"Is it you?"
"Ah, dear one! Can you ask?" began Nino.
"Hush! I am still locked up. We are going away,—I cannot tell where."