"Then she desired that several witnesses might be called in her defence, who all allowed that Miss Bendigo always behaved to her father in a dutiful and affectionate manner. And Anne Lear and Elizabeth Pollard, women occasionally employed at Troon, deposed that they had heard Lylie Ruffiniac say, Damn the black bitch (meaning the prisoner), I hope I shall see her walk up a ladder and swing.

"The prisoner having gone through her defence, the King's Counsel, in reply, observed, That the prisoner had given no evidence in contradiction of the facts established by the witnesses for the crown; that indeed, Anne Lear and Elizabeth Pollard had sworn to an expression of Lylie Ruffiniac, which, if true, served to show ill-will in Ruffiniac towards the prisoner, but that he thought the incident was too slight to deserve any manner of credit. That the other witnesses, produced by the prisoner, served only to prove that Mr. Bendigo was a very fond, affectionate and indulgent parent, therefore there could be no pretence of giving him powders or anything else to promote in him an affection for his daughter. That if the Jury believed the prisoner to be innocent, they would take care to acquit her: but if they believed her guilty, they would take care to acquit their own consciences.[C]

"The prisoner desired leave to speak in answer to what the King's Counsel had said, which being granted, she said, The gentleman was mistaken in thinking the powders were given to her father to produce his affection to her, for that they were given to procure her father's love to Captain Crandon.

"The judge summed up the evidence in a clear and impartial manner to the Jury, and they, without going out of Court, brought in their verdict: Guilty, Death.

"After sentence of death was pronounced upon her she, in a very solemn and affecting manner, prayed the Court that she might have as much time as could be allowed her to prepare for her great and immortal state. The Court told her she should have a convenient time allowed her; but exhorted her, in the meantime, to lose not a moment, but incessantly to implore the mercy of that Being to Whom alone mercy belongs."


II
FIRST STEPS

To the making of such a scene as that recounted in the contemporary journal, much had gone during the months so crudely analysed. That damning pile of evidence had been building itself up, touch upon touch, since the first moment when Sophie Bendigo's eyes lit on the instigator of the trouble; and the causes of her own share in it had been strengthening from far earlier even than that. In after years the Wise Woman of Bosullow would recount that when the baby Sophie was brought to her to be passed for luck through the ringed stone of the Men-an-Tol, she had foretold for her the rise in life that eventually came about. True, the terms of the prophecy had been so vague that beyond the fact that a ladder, metaphorical or otherwise, was to play a part in Sophie's career, Mr. Bendigo had not been much the wiser. The mother had lain in the bleak moorland churchyard for several years now, but she had had time, during the most malleable years of a girl's life, the early teens, to impress Sophie with a sense of destiny. Not for her the vulgar loves and joys of other country girls, to her some one shining, resplendent, would come flashing down, and Sophie must learn to bear with powdered hair and hoops against that moment. For London, of course, would be her splendid bourne, and as to saying that hoops got in the way of her legs—why, hoops were the mode and to a hoop she must come. Since Mrs. Bendigo had died, worn out by the terrible combination of the Squire's slow cruelty and his suave tongue, Sophie had given up the struggle with hoops and powder, but she still lived for and by her vision of the future. If Sophie Bendigo had not glanced over her shoulder in Troon Lane, thereby presenting an exceptional face at the most alluring of angles—chin up and eyes innocently sidelong—to the view of Mr. Crandon, she might never have climbed so high. When she saw Mr. Crandon, his white wig tied with a black ribbon, and an excellent paste pin flashing from his cravat, riding up the lane, she never doubted that her star had risen at last.

Sophie Bendigo was of the pure Celtic type still preserved among the intermarrying villages of West Penwith. Her rather coarse hair was a burnt black, so were her thick, straight brows, but her eyes were of that startlingly vivid blue one only meets in Cornish women and Cornish seas. There was something curiously Puck-like about Sophie; the cheekbones wide and jaw pointed, while her mouth was long, the thin, finely cut lips curving up at the ends, and there was a freakish flaunt at the corners of her brows—Crandon thought of piskies as he looked. She wore a plain white gown, low in the throat and short in the sleeve, and she carried an apron-load of elder-flower, the pearly blossoms of it showing faintly green against the deader white of the linen.

"Excuse me, but does this lead to St. Annan?" asked Crandon, bending a little towards her. Sophie felt one swift pang lest he should be riding out of her life straightway, and swiftly answered: