"You are out of your way," she told him, "this lane only leads to our house. You must go back to the highway and follow it past the 'Nineteen Merry Maidens' and turn on to your right—but it is a matter of three or four miles."
For a moment they remained looking at each other, then Crandon said:
"Is there perhaps an inn near here where I and my mare could rest? We have come from Zennor this morning, and she is newly shod."
"There is no need for an inn," said Sophie, "we are always glad to rest a traveller at Troon Manor. I am Sophie Bendigo."
Crandon smilingly dismounted and walked by her side up the lane.
"It would be ungracious to refuse when the Fates have led me and Venus herself seconds the invitation. . . . Have you just risen from the sea, I wonder, that your eyes still hold its hue?"
Sophie, used only to the clumsy overtures of the county squires, flushed with pleasure, not at the allusion, which she did not understand, but at the air of gallantry which pervaded the man. She glanced up admiringly between her narrowed lids—Crandon was accustomed to such glances, so had his girl-wife in Scotland looked at him, before he deserted her and her child. He meditated no harm to this girl, no plan was formulated in his mind; and as to the ten thousand pounds, of which so much was heard later on, no whisper of it had then reached his ears. The road had led to her, her own face lured him on, and a few hours of a pretty girl on such a June day, where was the harm? The innocence and spontaneity of his feelings gave the Captain a delightful glow of conscious virtue, and he walked beside Sophie with a slight swagger of enjoyment.
The drive was a mere rutted cart-track; hemlock, foxgloves, purple knapweed, blue scabious and tall, thin-stemmed buttercups grew along the tangled hedges, and the blackberry flowers patterned the brambles with pearliness. The luminous chequer-work of sun and shadow fell over Sophie's white gown, and the green light, filtering through the trees, reflected on her face and on her glossy head, so that she seemed to be walking in the depths of the sea, and Crandon's simile gained in aptness.
At the bend of the lane they came on the Manor House, its whitewash dazzling in the sunshine, even the shadows thrown on it by the eaves and sills were so clear they gave a curious effect of being as light as the rest. Only the Bendigo arms—a clenched fist—carved on the granite lintel, had been left untouched by the whitewash, and showed a sullen grey. A few fawn-coloured fowls, blazing like copper in the sunshine, pecked at the dusty ground, and some white pigs, looking as utterly naked as only white pigs can, snuffled at a rubbish heap, their big ears flapping. A tall, lean woman, clad in a dirty silk dressing-jacket of bright yellow, was talking to a labourer by the dairy door. There was something oddly suggestive of secrecy in the turn of their shoulders and their bent heads, and the woman's soiled finery made her thin face—that of a shrewd but comely peasant, framed in an untidy pompadour of reddish-brown hair—seem oddly incongruous. The man lapsed into insignificance beside her, yet something of likeness in their sharpened lines, and in the tinge of hot colour showing up through them, proclaimed them kin. They were Lylie Ruffiniac, Squire Bendigo's housekeeper, and her brother James, who acted as bailiff on the estate. Sophie, her head turned towards her companion, did not see them, but Crandon did, and was pricked at once to curiosity. Living as he did by his wits, his every fibre was quickened to superficial alertness, though of intellectual effort he was almost incapable. An old journal for 1752 that published, in addition to its account of the trial, some "Memoirs of the Life of Lucius William Crandon, Esq.," had enough acumen to remark: "He was not, however, destitute of parts, for he would often surprise those who entertained a mean opinion of his abilities, by schemes and concertions which required more genius than they thought he had been master of. . . . As he was not of sufficient learning to qualify him either for law or for physic, he turned his thought towards the army, where a very moderate share of literature is sufficient, and where few voices disqualify a man from making a figure. . . ." And a figure Lucius Crandon certainly made—a figure that caused the woman in the yellow jacket to stop and stare, then to disappear into the house by a side-door—Crandon received the impression that she had gone to warn some one of his approach.