It was natural that the triumphant issue of Miss Burney's first venture should tempt her to try a second. “Evelina,” though it had raised her fame, had added nothing to her fortune. Some of her friends urged her to write for the stage. Johnson promised to give her his advice as to the composition. Murphy, who was supposed to understand the temper of the pit as well as any man of his time, undertook to instruct her as to stage effect. Sheridan declared that he would accept a play from her without even reading it. Thus encouraged, she wrote a comedy named “The Witlings.” Fortunately, it was never acted or printed. We can, we think, easily perceive, from the little which is said on the subject in the “Diary,” that “The Witlings” would have been damned, and that Murphy and Sheridan thought so, though they were too polite to say so. Happily Frances had a friend who was not afraid to give her pain. Crisp, wiser for her than he had been for himself, read the manuscript in his lonely retreat and manfully told her that she had failed, and that to remove blemishes here and there would be useless; that the piece had abundance of wit but no interest, that it was bad as a whole; that it would remind every reader of the “Femmes Savantes,” which, strange to say, she had never read, and that she could not sustain so close a comparison with Moliere. This opinion, in which Dr. Burney concurred, was sent to Frances in what she called “a hissing, groaning, catcalling epistle.” But she had too much sense not to know that it was better to be hissed and catcalled by her Daddy than by a whole sea of heads in the pit of Drury-lane theatre; and she had too good a heart not to be grateful for so rare an act of friendship. She returned an answer which shows how well she deserved to have a judicious, faithful, and affectionate adviser. “I intend,” she wrote, “to console myself for your censure by this greatest proof I have received of the sincerity, candour, and, let me add, esteem of my dear daddy. And, as I happen to love myself more than my play, this consolation is not a very trifling one. This, however, seriously I do believe, that when my two daddies put their heads together to concert that hissing, groaning, catcalling epistle they sent me, they felt as sorry for poor little Miss Bayes as she could possibly do for herself. You see I do not attempt to repay your frankness with an air of pretended carelessness. But, though somewhat disconcerted just now, I will promise not to let my vexation live out another day. Adieu, my dear daddy; I won't be mortified and I won't be downed; but I will be proud to find I have, out of my own family, as well as in it, a friend who loves me well enough to speak plain truth to me.”
Frances now turned from her dramatic schemes to an undertaking far better suited to her talents. She determined to write a new tale on a plan excellently contrived for the display of the powers in which her superiority to other writers lay. It was, in truth, a grand and various picture gallery, which presented to the eye a long series of men and women, each marked by some strong peculiar feature. There were avarice and prodigality, the pride of blood and the pride of money, morbid restlessness and morbid apathy, frivolous garrulity, supercilious silence, a Democritus to laugh at everything and a Heraclitus to lament over everything. The work proceeded fast, and in twelve months was completed.
It wanted something of the simplicity which had been among the most attractive charms of “Evelina”; but it furnished ample proof that the four years, which had elapsed since “Evelina” appeared, had not been unprofitably spent. Those who saw “Cecilia” in manuscript pronounced it the best novel of the age. Mrs. Thrale laughed and wept over it. Crisp was even vehement in applause, and offered to insure the rapid and complete success of the book for half-a-crown. What Miss Burney received for the copyright is not mentioned in the “Diary”; but we have observed several expressions from which we infer that the sum was considerable. That the sale would be great, nobody could doubt; and Frances now had shrewd and experienced advisers, who would not suffer her to wrong herself. We have been told that the publishers gave her two thousand pounds, and we have no doubt that they might have given a still larger sum without being losers.[16]
“Cecilia” was published in the summer of 1782. The curiosity of the town was intense. We have been informed by persons who remember those days, that no romance of Sir Walter Scott was more impatiently awaited or more eagerly snatched from the counters of the booksellers. High as public expectation was, it was amply satisfied; and “Cecilia” was placed, by general acclamation, among the classical novels of England.
Miss Burney was now thirty. Her youth had been singularly prosperous; but clouds soon began to gather over that clear and radiant dawn. Events deeply painful to a heart so kind as that of Frances followed each other in rapid succession. She was first called upon to attend the deathbed of her best friend, Samuel Crisp. When she returned to St. Martin's Street after performing this melancholy duty, she was appalled by hearing that Johnson had been struck with paralysis, and, not many months later, she parted from him for the last time with solemn tenderness. He wished to look on her once more; and on the day before his death she long remained in tears on the stairs leading to his bedroom, in the hope that she might be called in to receive his blessing. But he was then sinking fast, and, though he sent her an affectionate message, was unable to see her. But this was not the worst. There are separations far more cruel than those which are made by death. Frances might weep with proud affection for Crisp and Johnson. She had to blush as well as to weep for Mrs. Thrale.
Life, however, still smiled upon her. Domestic happiness, friendship, independence, leisure, letters, all these things were hers; and she flung them all away.
Among the distinguished persons to whom Miss Burney had been introduced, none appears to have stood higher in her regard than Mrs. Delany. This lady was an interesting and venerable relic of a past age. She was the niece of George Granville, Lord Lansdowne, who, in his youth, exchanged verses and compliments with Edmund Waller, and who was among the first to applaud the opening talents of Pope. She had married Dr. Delany, a man known to his contemporaries as a profound scholar and eloquent preacher, but remembered in our time chiefly as one of that small circle in which the fierce spirit of Swift, tortured by disappointed ambition, by remorse, and by the approaches of madness, sought for amusement and repose. Dr. Delany had long been dead. His widow, nobly descended, eminently accomplished, and retaining, in spite of the infirmities of advanced age, the vigour of her faculties, and the serenity of her temper, enjoyed and deserved the favour of the royal family. She had a pension of three hundred a-year; and a house at Windsor, belonging to the crown, had been fitted up for her accommodation. At this house, the king and queen sometimes called, and found a very natural pleasure in thus catching an occasional glimpse of the private life of English families.
In December, 1785, Miss Burney was on a visit to Mrs. Delany at Windsor. The dinner was over. The old lady was taking a nap. Her grandniece, a little girl of seven, was playing at some Christmas game with the visitors, when the door opened, and a stout gentleman entered unannounced, with a star on his breast, and “What? what? what?” in his mouth. A cry of “The king!” was set up. A general scampering followed. Miss Burney owns that she could not have been more terrified if she had seen a ghost. But Mrs. Delany came forward to pay her duty to her royal friend, and the disturbance was quieted. Frances was then presented, and underwent a long examination and cross-examination about all that she had written, and all that she meant to write. The queen soon made her appearance, and his majesty repeated, for the benefit of his consort, the information which he had extracted from Miss Burney. The good nature of the royal pair might have softened even the authors of the “Probationary Odes,"[17] and could not but be delightful to a young lady who had been brought up a Tory. In a few days the visit was repeated. Miss Burney was more at ease than before. His majesty, instead of seeking for information, condescended to impart it, and passed sentence on many great writers, English and foreign. Voltaire he pronounced a monster. Rousseau he liked rather better. “But was there ever,” he cried, “such stuff as great part of Shakspeare? Only one must not say so. But what think you? What? Is there not sad stuff? What? What?”
The next day Frances enjoyed the privilege of listening to some equally valuable criticism uttered by the queen touching Goethe, and Klopstock, and might have learned an important lesson of economy from the mode in which her majesty's library had been formed. “I picked the book up on a stall,” said the queen. “Oh, it is amazing what good books there are on stalls!” Mrs. Delany, who seems to have understood from these words that her majesty was in the habit of exploring the booths of Moorfields and Holywell-street in person, could not suppress an exclamation of surprise. “Why,” said the queen, “I don't pick them up myself. I have a servant very clever; and if they are not to be had at the booksellers, they are not for me more than for another.” Miss Burney describes this conversation as delightful; and, indeed, we cannot wonder that, with her literary tastes, she should be delighted at hearing in how magnificent a manner the greatest lady in the land encouraged literature.
The truth is, that Frances was fascinated by the condescending kindness of the two great personages to whom she had been presented. Her father was even more infatuated than herself. The result was a step of which we cannot think with patience, but recorded as it is with all its consequences in these volumes deserves at least this praise, that it has furnished a most impressive warning.