on the stairs, and Smith
“Thought that Brown would shun him,”
—but he didn’t! The consequence was, they came in collision; or, rather, Smith’s bureau and Brown’s rocking-chair came in collision. Now, said bureau was an old-fashioned, hardwood affair, made for service, while Brown’s rocking-chair was a flimsy, showy fabric, of modern make. The meeting on the stairs occasions some squeezing, and more stumbling, and Brown suddenly finds himself and chair under the bureau, to the great injury of his person and his furniture. (Brown has since recovered, but the case of the rocking-chair is considered hopeless.) This discomfiture incenses the Browns to a high degree, and they determine to be as annoying as possible; so they persist in bringing their furniture into the house, and up stairs, as the Smiths are carrying theirs out of the house, and down stairs. Collisions are, of course, the order of the day; but the Smiths do not mind this much, as they have a great advantage, viz: their furniture is not half so good as Brown’s. After a few smashes, Brown receives light on this point, and orders his forces to remain quiet, while the foe evacuates the premises; so the Smiths retire in peace—and much of their furniture in pieces.
The four carts form quite a respectable procession; but there is no disguising the fact that the furniture looks very shabby (and whose furniture does not look shabby, piled on carts?); so the Smiths prudently take a back street, that no one may accuse them of owning it. Smith has to carry the baby and a large mirror, which Mrs. S. was afraid to trust to the cartmen, there being no insurance on either. It being a windy day, both the mirror and Smith’s hat veer to all points of the compass, while the baby grows very red in the face at not being able to possess himself of them. Between the wind, the mirror, his hat and the baby, Smith has an unpleasant walk of it.
About ten o’clock, they arrive at their new residence, and find, to their horror, that their predecessors have not begun to move. They inquire the reason. The feminine head of the family informs them, with tears in her eyes, that her husband, (Mr. Jonas Jenkins,) has been sick in Washington for five weeks; that, in consequence of his affliction, they have not been able to provide a new tenement; that she is quite unwell, and that one of her children (she has six) is ill, also; that she don’t know what is to become of them, &c., &c. Smith sets his hat on the back of his head, gives a faint tug at his neck-tie and confesses himself—quenched! His furniture looks more odious every minute. He once felt much pride in it, but he feels none now: he feels only disgust. The cartmen begin to growl out that they “can’t stand here all day,” and request to be informed “where we shall drop the big traps.” Hereupon, Smith ventures, with a ghastly attempt at a smile, to inquire of Mrs. Jenkins why she didn’t tell him, when he called, on Saturday, of her inability to procure a house? To which that lady innocently replies that she didn’t wish to give him any “unnecessary trouble!” which reply satisfies him as to Mrs. Jenkin’s claim to force of intellect.
At this juncture, Smith falls into a profound reverie. He thinks that, after all, Fourier is right—“that the Solidarity of the human race is an entity;” that “nobody can be happy, until everybody is happy.” He agrees with the great philosopher, that the “series distributes the harmonies.” He realizes that “society is organized (or, rather, disorganized) on a wrong basis;” that it is in an “amorphous condition,” whereas it should be “crystalized.” With our celebrated “down east” poet, Ethan Spike, Esq., he begins to think that,
“The etarnal bung is loose,”
and that, unless it be soon tightened, there is danger that
“All nater will be spilt.”
He comes to the conclusion, finally, that “something must be done,” and that speedily, to “secure a home for every family.”