At this point, he is aroused by his tormenters, the cartmen, who inform him that they are in a “Barkis” state of mind, (willin’) to receive their twelve dollars. Smith pays the money, and turns to examine the premises. He finds that Mrs. Jenkins has packed all her things in the back basement and the second-floor sitting-room. Poor thing! she has done her best, after all. She is in ill health; her husband is sick, and away from home; and her children are not well. God pity the unfortunate who live in cities, especially in the “moving season.” But Smith is a kind-hearted man. With a few exceptions, the Smiths are a kind-hearted race—and that’s probably the reason they are so numerous.
Smith puts on a cheerful countenance, and busies himself in arranging his furniture. Mrs. Smith, kind soul, forgets the destruction of her bandbox and bonnet, and cares not how long or how loud Smith whistles. Suddenly the prospect brightens! Mrs. Jenkins’ brother-in-law appears, and announces that he has found rooms for her, a little higher up town. Cartmen are soon at the door, and the Jenkinses are on their “winding way” to their new residence.
—But the Smiths’ troubles are not yet over. The painters, who were to have had the house all painted the day before, have done nothing but leave their paint-pots in the hall, and a little Smithling, being of an investigating turn of mind, and hungry, withal, attempts to make a late breakfast off the contents of one of them. He succeeds in eating enough to disgust him with his bill of fare, and frighten his mamma into hysterics. A doctor is sent for: he soon arrives, and, after attending to the mother, gives the young adventurer a facetious chuck under the chin, and pronounces him perfectly safe. The parents are greatly relieved, for Willy is a pet; and they confidently believe him destined to be President of the United States, if they can only keep paint-pots out of his way.
It takes the Smiths some ten days to get “to rights.” The particulars of their further annoyances—how the carpets didn’t fit; how the cartmen “lost the pieces;” how the sofas couldn’t be made to look natural; how the pianoforte was too large to stand behind the parlor door, and too small to stand between the front windows; how the ceiling was too low, and the book-case too high; how a bottle of indelible ink got into the bureau by mistake and “marked” all Mrs. Smith’s best dresses—I forbear to inflict on the reader. Suffice it to say, the Smiths are in “a settled state;” although their apartments give signs of the recent manifestation of a strong disturbing force—reminding one, somewhat, of a “settlement” slowly recovering from the visitation of an earthquake. Still, they are thankful for present peace, and are determined, positively, not to move again—until next May.
THIS SIDE AND THAT.
I am weary of this hollow show and glitter—weary of fashion’s stereotyped lay-figures—weary of smirking fops and brainless belles, exchanging their small coin of flattery and their endless genuflexions: let us go out of Broadway—somewhere, anywhere. Turn round the wheel, Dame Fortune, and show up the other side.
“The Tombs!”—we never thought to be there! nevertheless, we are not to be frightened by a grated door or a stone wall, so we pass in; leaving behind the soft wind of this Indian summer day, to lift the autumn leaves as gently as does a loving nurse her drooping child.
We gaze into the narrow cells, and draw a long breath. Poor creatures, tempted and tried. How many to whom the world now pays its homage, who sit in high places, should be in their stead? God knoweth. See them, with their pale faces pressed up against the grated windows, or pacing up and down their stone floors, like chained beasts. There is a little boy not more than ten years old; what has he done?