Stilts of bamboo, similar to those used in America, are sometimes used by the older children, but the more popular local variety is made by fastening cords through the tops of half coconut shells. The youth holds a cord in each hand, stands on the shells with the lines passing between the first two toes, and then walks.
Flat boards with cords attached become “carabao sleds,” and in these immense loads of imaginary rice are hauled to the granaries. A similar device serves as a harrow, while a stick is converted into a “plough” or “horse,” as is desired. Imitation carabao yokes are much prized, and the children pass many hours serving as draught animals or drivers. The bull-roarer, made by putting a thin piece of bamboo on a cord and whirling it about the head, makes a pleasing noise, and is excellent to use in frightening stray horses. Blow-guns, made out of bamboo or the hollow tubes of plants, vie in popularity with a pop-gun of similar construction. A wad of leaves is driven through with a plunger, and gives a sharp report, as it is expelled.
Tops are among the prized possessions of the boys. They are spun, or are wound with cord, and are thrown overhand at those of other players, with the intention of splitting or marking them.
Quite as popular, with the small girls, are tiny pestles with which they industriously pound rice chaff, in imitation of their mothers. Page 273
While still mere babies, the boys begin to play with toy knives made of wood, but by the time they are seven or eight years of age, they are permitted to carry long bolos, and before puberty they are expert with the weapons used by the tribe (Plate [XI]). In the mountain regions in particular, it is a common occurrence for groups of youngsters, armed with reed spears and palm-bark shields, to carry on mock battles. They also learn to make traps and nets, and oftentimes they return to the village with a good catch of small birds.
Full grown dogs are seldom friendly or considered as pets; but puppies, small chickens, parrakeets, pigs, and baby carabao make excellent playfellows, and suffer accordingly. From the day of its birth, the young carabao is taken possession of by the children, who will fondle and tease it, ride on its back, or slide off over its head or tail. Soon they gain confidence, and find similar amusements with the full grown animals. These huge beasts are often surly or vicious, especially around white men, but they recognize their masters in the little brown folk, and submit meekly to their antics. In fact, the greater part of the care of these animals is entrusted to young boys.
When not engaged in some of the amusements already mentioned, it is probable that the youngster is one of the group of naked little savages, which races through the village on the way to the swimming hole, or climbs tall trees from the top of which sleeping pigs can be easily bombarded. Should the children be so fortunate as to possess a tin can, secured from some visiting traveller, they quickly convert it into a drum or gansa, and forthwith start a celebration. All can dance and sing, play on nose flutes, bamboo guitars, or Jew's harps.
In addition to songs of their own composition, there are other songs, which are heard whenever the children are at play. They make a swing by tying ropes to a carabao yoke, and attach it to a limb; then, as they swing, they sing:
“Pull swing. My swing is a snake.
Do not writhe like a snake. My swing is a big snake.
Do not turn and twist. My swing is a lizard.
Do not tremble or shake.”
When a group gathers under a house to pop corn in the burning rice chaff, they chant: