Nine pieces in the Oratorio of “St. Paul,” subsequently omitted:—four Choruses, three Chorales, four Recitatives, a Soprano Aria, and a Duett for Tenor and Bass.
“Herr Gott, dich loben wir,” Chorale for double Chorus, Organ, four Trombones, and stringed instruments, for the celebration of the German Tausendjährige festival. 1843.
Psalm C., “Jauchzet dem Herrn,” for a four-part Chorus. 1844.
The German Liturgy, for two four-part Choirs.
“Wir glauben all’ an einen Gott,” for Chorus and Orchestra.
The most important of these works a capella, the “Te Deum,” the “Hora est,” etc., were written from 1826 to 1828 for the Berlin Singing Academy, at that time under Zelter’s management, and were constantly sung there. The four last-named pieces were composed for the Cathedral Choir at Berlin.
Secular Cantatas.
Grand Festival Music for the Dürer Festival. The Poem by Professor Levetzow. Performed in the Hall of the Singing Academy at Berlin, on the 12th of April, 1828. Instrumental Introduction, and fourteen Numbers—Solos, Grand fugued Choruses, etc.
Festival Music, for a festival given in the Hall of the Royal Theatre at Berlin, by Alexander von Humboldt. The words by L. Rellstab. For Male Voices, with accompaniment of Clarionets, Horns, Trumpets, Kettle-drums, Violoncello, and Double Bass. Seven numbers, Solos and Choruses. 1827.
Festal Song at the uncovering of the statue of Friedrich August the Just, at Dresden, on the 9th June, 1842, for two Male Choirs and Brass Band.