Dramatic.
“Die beiden Pädagogen,” Comic Operetta, in one Act, adapted from the French. Overture and ten numbers.
“Soldatenliebschaft,” Comic Operetta, in one Act. Overture and fourteen numbers.
“Die wandernden Komödianten,” Comic Opera in one Act. Overture and twelve numbers. 1821.
“Der Onkel aus Boston, oder die beiden Neffen,” Comic Opera in three Acts. 1822-1823. Overture and fourteen numbers, with much Ballet Music.
Music to Calderon’s Tragedy, “The Steadfast Prince.” Two Choruses for Male Voices, Battle-piece, Melodrama. 1834.
Written for a performance in Düsseldorf.
For Voice, with Orchestral Accompaniment or Stringed Instruments.
Recitative and Aria, “Che vuoi mio cor,” for a Contralto, accompanied by Stringed Instruments. 1824. Scena and Aria, for a Soprano, with Orchestra. 1834.
Much of this was afterwards made use of in the Aria, op. 94, the only instance in which Mendelssohn’s artistic energy permitted him so to do.