‘Madame,’ answered Vandeloup, gaily, as he assisted Mrs Villiers to doff her muddy garments, ‘we have been talking about the crops and the weather.’
‘Oh, indeed,’ replied Mrs Villiers, who saw the flush on Kitty’s cheek, and by no means approved of it; ‘it must have been very entertaining.’
‘Very!’ assented Gaston, going back to his desk.
‘Come along, Kitty,’ said Madame, with a keen glance at her clerk, and taking Kitty’s arm within her own, ‘let us go to the house, and see if we can find any peaches.’
‘I hope we’ll find some big ones,’ said Kitty, gluttonously, as she danced along by the side of Mrs Villiers.
‘Temptation has been placed in my path in a very attractive form,’ said Vandeloup to himself, as he went back to those dreary columns of figures, ‘and I’m afraid that I will not be able to resist.’
When he came home to tea he found Kitty was as joyous and full of life as ever, in spite of the long hot afternoon and the restless energy with which she had been running about. Even Madame Midas felt weary and worn out by the heat of the day, and was sitting tranquilly by the window; but Kitty, with bright eyes and restless feet, followed Selina all over the house, under the pretence of helping her, an infliction which that sage spinster bore with patient resignation.
After tea it was too hot to light the lamp, and even Selina let the fire go out, while all the windows and doors were open to let the cool night wind blow in. Vandeloup sat on the verandah with McIntosh smoking cigarettes and listening to Madame, who was playing Mendelssohn’s ‘In a Gondola’, that dreamy melody full of the swing and rhythmic movement of the waves. Then to please old Archie she played ‘Auld Lang Syne’—that tender caressing air which is one of the most pathetic and heart-stirring melodies in the world. Archie leaned forward with bowed head as the sad melody floated on the air, and his thoughts went back to the heather-clad Scottish hills. And what was this Madame was now playing, with its piercing sorrow and sad refrain? Surely ‘Farewell to Lochaber’, that bitter lament of the exile leaving bonny Scotland far behind. Vandeloup, who was not attending to the music, but thinking of Kitty, saw two big tears steal down McIntosh’s severe face, and marvelled at such a sign of weakness.
‘Sentiment from him?’ he muttered, in a cynical tone; ‘why, I should have as soon expected blood from a stone.’
Suddenly the sad air ceased, and after a few chords, Kitty commenced to sing to Madame’s accompaniment. Gaston arose to his feet, and leaned up against the door, for she was singing Gounod’s charming valse from ‘Mirella’, the bird-like melody of which suited her high clear voice to perfection. Vandeloup was rather astonished at hearing this innocent little maiden execute the difficult valse with such ease, and her shake was as rapid and true as if she had been trained in the best schools of Europe. He did not know that Kitty had naturally a very flexible voice, and that Madame had trained her for nearly a year. When the song was ended Gaston entered the room to express his thanks and astonishment, both of which Kitty received with bursts of laughter.