‘You have a fortune in your throat, mademoiselle,’ he said, with a bow, ‘and I assure you I have heard all the great singers of to-day from Patti downwards.’
‘I have only been able to teach her very little,’ said Madame, looking affectionately at Miss Marchurst, who now stood by the table, blushing at Vandeloup’s praises, ‘but when we find the Devil’s Lead I am going to send her home to Italy to study singing.’
‘For the stage?’ asked Vandeloup.
‘That is as it may be,’ replied Madame, enigmatically, ‘but now, M. Vandeloup, you must sing us something.’
‘Oh, does he sing?’ said Kitty, joyously.
‘Yes, and play too,’ answered Madame, as she vacated her seat at the piano and put her arm round Kitty, ‘sing us something from the “Grand Duchess”, Monsieur.’
He shook his head.
‘Too gay for such an hour,’ he said, running his fingers lightly over the keys; ‘I will give you something from “Faust”.’
He had a pleasant tenor voice, not very strong, but singularly pure and penetrating, and he sang ‘Salve Dinora’, the exquisite melody of which touched the heart of Madame Midas with a vague longing for love and affection, while in Kitty’s breast there was a feeling she had never felt before. Her joyousness departed, her eyes glanced at the singer in a half-frightened manner, and she clung closer to Madame Midas as if she were afraid, as indeed she was.
When Vandeloup finished the song he dashed into a riotous student song which he had heard many a time in midnight Paris, and finally ended with singing Alfred de Musset’s merry little chanson, which he thought especially appropriate to Kitty:—