A noteworthy and picturesque figure, familiar in the artist circle, was that of Tourgenieff, who visited Baden-Baden annually from early in the sixties until the opening of the seventies. In conclusion is to be added the name of Pauline Viardot-Garcia, who settled at Baden in 1863, building a spacious villa in the Lichtenthaler Allée for her summer residence, which contained a gallery of fine paintings, chiefly of the Spanish and Netherlands schools. Amongst her possessions was Mozart's autograph score of 'Don Giovanni,' which she kept enshrined in a valuable casket. Madame Viardot was a musician in a very comprehensive sense of the word. Her triumphs on the operatic stage belong to the history of musico-dramatic art; she had been a pupil of Liszt on the pianoforte, had studied counterpoint and composition, and composed a good deal. Several of her operettas, for which Tourgenieff furnished the text-books, were performed privately by her pupils and children in her miniature theatre in Baden-Baden, where she was accustomed to entertain many of the celebrities of the time. One was given in German translation by Richard Pohl, as 'Der letzte Zauberer,' on the Court stages of Carlsruhe and Weimar. At the request of some of her girl pupils, Brahms composed a short choral serenade for her birthday one summer subsequent to our present date, and conducted its performance by the young ladies, outside her house, at an early hour of the morning. This pleasant incident of the seventies recalls that of the forties, when the youthful Johannes consented to fill the offices of composer and conductor at Winsen on the occasion of Rector Köhler's birthday.
Brahms was presented by Frau Schumann, in the course of this his first lengthened stay at Baden-Baden, to the Princess Anna, Landgräfin of Hesse on an occasion when the two artists performed his sonata for two pianofortes privately before Her Royal Highness. The work, which, as we have seen, had failed to win public sympathy when performed in a Vienna concert-room, made its mark on this occasion. It appealed strongly to the royal listener, who, at the close of the last movement, warmly expressed to the composer her sense of its beauty. Brahms, gratified and pleased at the Princess's unreserved appreciation, called on her the following day, and begged permission, which was readily granted, to dedicate the work to her; and on its publication the following year in its final form—a quintet for pianoforte and strings—Her Royal Highness's name appeared on the title-page. The Princess acknowledged the compliment of the dedication by presenting Brahms with one of her treasures—the autograph score of Mozart's G minor Symphony. It passed after his death, as part of his library, into the possession of the Gesellschaft der Musikfreunde, Vienna.
An interesting reference to the dedication and the time is in the possession of the present Landgraf of Hesse, whose musical talent was recognised and encouraged by Brahms twenty years later, and is contained in a letter of thanks written by the master in 1892 on the dedication to him of a fantasia for pianoforte published that year by the Prince:
'Your Royal Highness
Most gracious Herr Landgraf!
'Whilst I venture to express to Your Royal Highness my most respectful and hearty thanks for the dedication of the fantasia, very many and very pleasant recollections occur to me.
'The high and agreeable distinction, as which I regard the dedication, reminds me of the similar pleasure I experienced when I was permitted to inscribe my quintet to your highly-honoured mother, the Frau Landgräfin. That was in beautiful Baden-Baden, and it would be too tempting to go on chatting about the unforgettable music-hours and pleasant days; but much else crowds upon the memory: Meiningen, Frankfurt, Vienna, Baden, etc. I think that by my mere mention of these names Y.R.H. will know what a valued memorial your work and its dedication, by which I am so much honoured, will be to me of many pleasant times.
'With my hearty thanks for the valuable present, I unite the wish that our glorious art may bring to Y.R.H. many more hours as happy as those were of which this fantasia gives such convincing testimony.
'Your Royal Highness's deeply obliged
'Johannes Brahms.
'Vienna, Jan. 1892.'