LL night a light burned in the tent of Don Roderich. If he slept, his slumbers were troubled. Now the pale form of Florinda rises before him with sad eyes, then the hideous vision of the necromantic Tower of Hercules haunts him. He starts up, and, opening the purple hangings of his tent, gazes out at the starry splendour of the Southern night.

Before him lay the grassy flats about Xerez, dimly lit by the dark glow of the signal fires marking the verge of the opposite camps. A pale crescent moon hanging over the Moslem tents brought out the lines of low hills far back on the horizon. Not a sound was heard but the tramp of the sentinels, or the neigh of a war-horse, ill-stabled on the turf. The distant click of a horse’s hoofs roused him to attention, and he distinctly saw the shadowy outline of a single horseman hurrying along the river’s verge, the bearer of the message big with his doom.

From his belt he drew an arrow and sped it swiftly from a golden bow, watching its silent course, but the dark figure still rode on.

Heavy was his heart within him as he watched the dawn of day (say the old chroniclers), not for himself, but for the thousands who lay stretched in slumber around, and the thought of the lonely Egilona called from him a sigh. Of all things, to a brave heart treachery is the sorest woe, and treachery he knew was at work with Julian close at hand. He would have challenged him to single battle, as knight to knight, but for the memory of his crime. This made him shrink before the father whose just vengeance had brought the invaders into the land.

With the glorious burst of morning all these dismal thoughts vanished. Again he became the brilliant chief who had wrested from Witica the crown of Spain. Again his heart swelled with the ardour of battle, as he prepared to lead his army with the pomp proper to a Gothic king.

A comelier monarch never drew breath than Roderich as—attired in a robe of beaten gold, sandals embroidered in pearls and diamonds on his feet, a sceptre in his hand, and a gold crown on his head resplendent with priceless gems—he mounted the lofty chariot of ivory, drawn by milk-white horses champing bits of gold, the wheels and pole covered with plates of gold, and a crimson canopy overhead. As he advanced in front of the army shouts of delight rent the air.

“Forward, brave Goths,” he cried, waving his glittering sceptre, as he halted in the front of the royal standard. “God is above to bless the Christian cause! Your king leads you! Forward to the fight, and death be his portion who shows any fear!”

Ere his voice had ceased, the sun, which had risen brilliantly, sank behind a bank of vapour, and a rising sirocco raised such clouds of dust that the very air was darkened.

Various was the fortune of the day. To the battalions of light Arab horsemen, throwing showers of arrows, stones, and javelins, the old Gothic valour opposed lines of steady troops. Where the Moslem fell, the Christian rushed in, seized both horse and armour. Desperately they fought and well, until the plain was strewn with prostrate Moors.

Don Roderich, throwing off the cumbrous robes of state, and mounting his satin-coated steed, Orelia, a horned helmet on his head, sternly grasping his buckler, was foremost wherever danger menaced. With the reins loose upon Orelia’s neck (who utters a wild snort rushing forward at full speed to meet the charge) the Moors fled before him, as though he were a second Santiago descended from the skies.