Explanation.—This fable seems to contain an ingenious description of pleasure; which at first, as it were in the morning of the day, is so welcome, that men pray to have it everlasting, but forget that satiety and weariness of it will, like old age, overtake them, though they think not of it; so that at length, when their appetite for pleasurable actions is gone, their desires and affections often continue; whence we commonly find that aged persons delight themselves with the discourse and remembrance of the things agreeable to them in their better days. This is very remarkable in men of a loose, and men of a military life; the former whereof are always talking over their amours, and the latter the exploits of their youth; like grasshoppers, that show their vigor only by their chirping.
XVI.—JUNO’S SUITOR, OR BASENESS.
EXPLAINED OF SUBMISSION AND ABJECTION.
The poets tell us, that Jupiter, to carry on his love-intrigues, assumed many different shapes; as of a bull, an eagle, a swan, a golden shower, &c.; but when he attempted Juno, he turned himself into the most ignoble and ridiculous creature,—even that of a wretched, wet, weather-beaten, affrighted, trembling and half-starved cuckoo.
Explanation.—This is a wise fable, and drawn from the very entrails of morality. The moral is, that men should not be conceited of themselves, and imagine that a discovery of their excellences will always render them acceptable; for this can only succeed according to the nature and manners of the person they court, or solicit; who, if he be a man not of the same gifts and endowments, but altogether of a haughty and contemptuous behavior, here represented by the person of Juno, they must entirely drop the character that carries the least show of worth or gracefulness; if they proceed upon any other footing, it is downright folly; nor is it sufficient to act the deformity of obsequiousness, unless they really change themselves, and become abject and contemptible in their persons.
XVII.—CUPID, OR AN ATOM.
EXPLAINED OF THE CORPUSCULAR PHILOSOPHY.
The particulars related by the poets of Cupid, or Love, do not properly agree to the same person, yet they differ only so far, that if the confusion of persons be rejected, the correspondence may hold. They say, that Love was the most ancient of all the gods, and existed before every thing else, except Chaos, which is held coeval therewith. But for Chaos, the ancients never paid divine honors, nor gave the title of a god thereto. Love is represented absolutely without progenitor, excepting only that he is said to have proceeded from the egg of Nox; but that himself begot the gods, and all things else, on Chaos. His attributes are four; viz: 1, perpetual infancy; 2, blindness; 3, nakedness; and 4, archery.
There was also another Cupid, or Love, the youngest son of the gods, born of Venus; and upon him the attributes of the elder are transferred, with some degree of correspondence.
Explanation.—This fable points at, and enters, the cradle of nature. Love seems to be the appetite, or incentive, of the primitive matter; or, to speak more distinctly, the natural motion, or moving principle, of the original corpuscles, or atoms; this being the most ancient and only power that made and wrought all things out of matter. It is absolutely without parent, that is, without cause; for causes are as parents to effects; but this power or efficacy could have no natural cause; for, excepting God, nothing was before it; and therefore it could have no efficient in nature. And as nothing is more inward with nature, it can neither be a genus nor a form; and therefore, whatever it is, it must be somewhat positive, though inexpressible. And if it were possible to conceive its modus and process, yet it could not be known from its cause, as being, next to God, the cause of causes, and itself without a cause. And, perhaps, we are not to hope that the modus of it should fall, or be comprehended, under human inquiry. Whence it is properly feigned to be the egg of Nox, or laid in the dark.