[922]. Quoted, p. 328, by Morgan, from Lectures on Human and Animal Psychology, p. 397.
[923]. See Wallaschek against this idea, above, p. [100].
[924]. Work quoted, p. 21.
[925]. Work quoted, p. 340. Play is thus tabulated:—
| Selbstdarstellung. | Nachahmung. | Ausschmückung. |
| Persönliches. | Wahres. | Schönes. |
| Beim Thier: | ||
| Bewerbungskünste. | Nachahmungskünste. | Baukünste. |
| Beim Menschen: | ||
| Erregungstanz. | Nachahmungstanz. | Kunstgewerbe. |
| Musik. | Mimik. | (Gartenbaukunst.) |
| Lyrik. | Plastik. | Architectur. |
| Malerei. | ||
| Epik. | ||
| Drama. |
Compare with this the table given in Mr. Baldwin Brown’s useful book on The Fine Arts, p. 36.
[926]. Lyre to Muse, pp. 127 f. Mr. Baldwin Brown, The Fine Arts, p. 23, also regards art in general as an outgrowth of festal celebrations.
[927]. At the end of his Lyre to Muse, p. 209.
[928]. Arbeit und Rhythmus, pp. 17, 25, 82.
[929]. In Ribot’s Psychology of the Emotions, e.g., p. 332, ample justice is done to spontaneous emotion and expression.