21. Death leads a man, followed by others. “Non sum securus hodie vel cras moriturus.”
22. Death interrupts a man and woman at their meal. “Intus sive foris est plurima causa timoris.”
23. Death demolishes a group of minstrels, from one of whom he has taken a lute. “Viximus gaudentes, nunc morimur tristes et flentes.”
24. Death leads a hermit, followed by other persons. “Forte dies hec est ultima, vado mori.”
This Dance is also found in the Horæ printed by Godar, Vostre, and Gilles Hardouyn, but with occasional variations, as to size and other matters, in the different blocks which they respectively used. The same designs have also been adopted, and in a very singular style of engraving, in a work printed by Antony Verard, that will be noticed elsewhere.
Some of the cuts, for they are not all by the same artist, in this very rare and beautiful volume, and not found in others printed by or for Simon Vostre, may be very justly compared, in point of the delicacy of design and engraving, though on wood, with the celebrated pax of Maso Finiguerra at Florence, accurately copied in Mr. Ottley’s history of engraving. They are accompanied with this unappropriated mark
.
No. II. “Ordinarium beate Marie Virginis ad usum Cisterciensem impressum est caracteribus optimis una cum expensis honesti viri Symonis Vostre commorantis Parisiis in vico novo Dive Marie in intersignio Sancti Joannis Evangeliste, 1497,” 12mo. This beautiful book is on vellum, with the same Danse Macabre as in the preceding, but the other cuts are different.
No. III. “Hore presentes ad usum Sarum impresse fuerunt Parisiis per Philippum Pigouchet Anno Salutis MCCCCXCVIII die vero xvi Maii pro Symone Vostre librario commorante, &c.” 8vo. as above.