“How delightful!” exclaimed her ladyship. “And what might a celebration of the Cruiskeen be?”
It was at this point that the imagination of the good father came to his assistance. He explained, with a volubility that comes to the Celt only when he is romancing, that the celebration of the Cruiskeen was a prehistoric rite associated with the village of Ballycruiskeen. Cruiskeen was, as perhaps her ladyship had heard, the Irish for a vessel known to common people as a jug—it was, he explained, a useful vessel for drinking out of—when it held a sufficient quantity.
Of course Lady Innisfail had heard of a jug—she had even heard of a song called “The Cruiskeen Lawn”—did that mean some sort of jug?
It meant the little full jug, his reverence assured her. Anyhow, the celebration of the Cruiskeen of Ballycruiskeen had taken place for hundreds—most likely thousands—of years at the Curragh of Lamdhu—Lamdhu meaning the Black Hand—and it was perhaps the most interesting of Irish customs. Was it more interesting than a wake? Why, a wake couldn’t hold a candle to a Cruiskeen, and the display of candles was, as probably her ladyship knew, a distinctive feature of a wake.
Father Conn, finding how much imaginary archæology Lady Innisfail would stand without a protest, then allowed his imagination to revel in the details of harpers—who were much more genteel than fiddlers, he thought, though his flock preferred the fiddle—of native dances and of the recitals of genuine Irish poems—probably prehistoric. All these were associated with a Cruiskeen, he declared, and a Cruiskeen her ladyship and her ladyship’s guests should have that night, if there was any public spirit left in Ballycruiskeen, and he rather thought that there was a good deal still left, thank God!
Lady Innisfail was delighted. Local colour! Why, this entertainment was a regular Winsor and Newton Cabinet.
It included everything that people in England were accustomed to associate with the Irish, and this was just what the guests would relish. It was infinitely more promising than the simple national dance for which she had been trying to arrange.
She shook Father Conn heartily by the hand, but stared at him when he made some remark about the chapel roof—she had already forgotten all about the roof.
The priest had not.
“God forgive me for my romancing!” he murmured, when her ladyship had departed and he stood wiping his forehead. “God forgive me! If it wasn’t for the sake of the slate or two, the ne’er a word but the blessed truth would have been forced from me. A Cruiskeen! How was it that the notion seized me at all?”