At some such informal gathering of neighbors as this the story of the city mouse and the country mouse would be told. The poet's own moral of this homely tale is gathered from the farewell words of the country mouse as he escapes from the splendors—and terrors of the city:
"Ho!" cries the country mouse. "This kind
Of life is not for me, I find.
Give me my woods and cavern. There
At least I'm safe! And though both spare
And poor my food may be, rebel
I never will; so, fare ye well!"
3. AULUS PERSIUS FLACCUS
The mantle of the satirist preacher which had fallen from Horace found no worthy claimant for nearly half a century. The successor, and, so far as in him lay, the sincere imitator of Horace, was Aulus Persius Flaccus. His circumstances were as unlike those of his great predecessor as can well be imagined. Horace was the son of a freedman, with no financial or social backing save that which he won by his own genius; Persius was, like Lucilius, of noble equestrian rank, rich, and related by birth to some of the first men of his time. Horace, while he had every opportunity for learning all that books and the schools could teach him, was, as we have already seen, preëminently a student of real life, having been taught by his father to study men as they actually were. Persius, on the other hand, saw little of the world except through the medium of books and teachers. When the future satirist was but six years of age, his father died, and he was brought up chiefly in the society of his mother and sister, carefully shielded from contact with the rough and wicked world. At the age of twelve he was taken from his native Volaterræ in Etruria to Rome, where his formal education was continued in the same careful seclusion until he assumed the toga of manhood. His writings do not, therefore, smack of the street and the world of men as do those of Horace, but they savor of the cloister and the library. Horace preached against the sins of men as he saw them; Persius, as he imagined them and read of them, taking his texts often from the more virile satires of Horace himself. Horace was devoted to no school of philosophy, but accepted what seemed to him best and sanest from all schools, and jeered alike at the follies of all. But Persius was by birth, education, and choice a Stoic. He became an ardent preacher and expounder of the Stoic philosophy, just as Lucretius had thrown his whole heart into expounding the doctrine of Epicurus a hundred years before.
Stoicism, as Tyrrell says, was the "philosophy in which under the Roman Empire the human conscience sought and found an asylum. It had ceased now to be a philosophy, and had become a religion, appealing to the rich and great as Christianity appealed to the poor and humble."
Persius, accordingly, following his early bent, as soon as he arrived at man's estate, placed himself under the care and instruction of Cornutus, a Stoic philosopher. His own account of this event forms one of the most pleasing passages in his works, and is found in the fifth satire, which is a confession of his own ardent devotion both to his friend the Stoic, and to Stoicism as well.
The lofty and almost Christian tone of this ardent young Stoic preacher was greatly admired in the Middle Ages, and he was much quoted by the Church Fathers. His high moral truths sounded out in an age of moral laxity, when faith in the old religious beliefs had given way, and had not yet laid hold upon the nascent doctrine of Christianity which was even now marching westward and was soon to gain admission to Rome itself. To the Stoic, virtue was the bright goal of all living. To gain her was to gain life indeed; and to lose her was to suffer loss irreparable. This loss the poet invokes in a masterly apostrophe in the third satire upon those rulers who basely abuse their power.
Dread sire of gods! when lust's envenomed stings
Stir the fierce nature of tyrannic kings;
When storms of rage within their bosoms roll,
And call in thunder for thy just control;
O then relax the bolt, suspend the blow,
And thus and thus alone thy vengeance show:
In all her charms set Virtue in their eye,
And let them see their loss, despair, and die!
Gifford.
The Christian tone of Persius is perhaps best seen in the second satire, which is a sermon on prayer. The tone throughout is far above the level of the thinking of his time, and shows a lofty conception of the deity and of spiritual things. In the closing lines especially, he reaches so high and true a spiritual note that he seems almost to have caught a glimpse of those high conceptions which inspired his great contemporary, the apostle Paul. This sermon might well have had for its text the inspired words of the Old Testament prophet Hosea: "For I desired mercy and not sacrifice; and the knowledge of God more than burnt offerings."