“Can’t say I did, awful much. You see, I was visitin’ Sally Ramsdale—Sally Greenway that was. They were livin’ in an apartment, ninth floor up. In the first place, I didn’t like goin’ up stairs in the elevator. I was so scared, I felt as if the end had come, and I was bein’ jerked to my reward in an iron birdcage with a small kid dressed in brass buttons. When I got into the hall it was about two feet wide and darker than Pharaoh’s conscience. It had a string of cells along the side, and one opened into a chimney, and the rest into nothin’ in particular. The middle cell was a dinin’ room where we ate when we could find the way to our mouths. Near as I can recollect, 88 you got into the parlor through the pantry, back of the servant’s room, by jumpin’ over five trunks. You ought to have seen my room. It looked just like a parlor when you first went in. There was somethin’ lookin’ like a cross between an upright piano and writin’ desk. Sally gave it a twist, and it tumbled out into a folding bed. The first night, I laid awake with my eyes on the foot of that bed expectin’ it to rise and stand me on my head; but it didn’t. You took the book of poems off the center table, gave it a flop, and it was a washstand. Everything seemed to shut up into something else it hadn’t ought to. It was a ‘now you see it, and now you don’t see it,’ kind of a room; and I seemed to be foldin’ and unfoldin’ most of the time. Then the ceilin’ was so low that you could hardly get the cover off the soap dish. I felt all the while as if I should smother. My! but I was glad to get home and get a breath of real air.”
“Yes,” Maxwell replied, “people live more natural and healthful lives in the country. The advantages of the city aren’t an unmixed blessing.”
“That’s true enough. That’s no way to live. Just think of havin’ no yard but a window box and a fire escape! I’d smother!
“We folks out here in the country ’aint enjoyin’ a lot of the refinements of city life; anyhow we get 89 along, and the funny part about it is,—it ’aint hard to do, either. In the first place we ’aint so particular, which helps a lot, and besides, as Jonathan Jackson used to say,—there’s compensations. I had one look at Fifth Avenue and I’m not sayin’ it wasn’t all I had heard it was; but if I had to look at it three hundred and sixty-five days a year I wouldn’t trade it for this.
“Why, some days it rains up here, but I can sit at my window and look down the valley, to where the creek runs through, and ’way up into the timber, and the sight of all those green things, livin’ and noddin’ in the rain is a long ways from being disheartenin’,—and when the sun shines I can sit out here, in my garden, with my flowers, and watch the boys playin’ down in the meadow, Bascom’s Holsteins grazin’ over there on the hill, and the air full of the perfume of growin’ things,—they ’aint got anything like that, in New York.”
For a time Mrs. Burke relapsed into silence, while Maxwell smoked his briar pipe as he lay on the grass near by. She realized that the parson had cleverly side-tracked her original subject of conversation, and as she glanced down at him she shook her head with droll deprecation of his guile.
When she first accused him of the blues, it was 90 true that Maxwell’s look had expressed glum depression. Now, he was smiling, and, balked of her prey, Mrs. Burke knitted briskly, contemplating other means drawing him from his covert. Her strategy had been too subtle: she would try a frontal attack.
“Ever think of gettin’ married, Mr. Maxwell?” she inquired abruptly.
For an instant Maxwell colored; but he blew two or three rings of smoke in the air, and then replied carelessly, as he plucked at the grass by his side:
“Oh, yes: every fellow of my age has fancied himself in love some time or other, I suppose.”