His third occupation and chief recreation was his rose-garden. The whole space between his front piazza and Kirkland Street was filled with rose- bushes which he tended himself, from the first loosening of the earth in spring until the straw sheaf-caps were tied about them in November. What more delightful occupation for a scholar than working in a rose-garden! There his friends were most likely to find him in suitable weather, and when June came they were sure to receive a share of the bountiful blossoms; nor did he ever forget the sick and suffering.

He was greatly interested to hear of a German doctor at Munich who had a rose-garden with more than a hundred varieties in it. "I should like to know that man," he said; "wouldn't we have a good talk together?" He complained that although everybody liked roses few were sufficiently interested in them to distinguish the different kinds. Naturally rose- bugs were his special detestation. "Saving your presence," he said to President Felton's daughter, "I will crush this insect;" to which she aptly replied, "I certainly would not have my presence save him." When he heard of the Buffalo-bug he exclaimed: "Are we going to have another pest to contend with? I think it is a serious question whether the insect world is not going to get the better of us."

After his painful death at the Massachusetts Hospital in September, 1896, the president and fellows of the university voted to set apart little Holden Chapel, the oldest building on the college grounds, and yet one of the most dignified, for an English library dedicated to the memory of Francis J. Child. Such an honor had never been decreed for president or professor before; and it gives him the distinction that we all feel he deserved. It is much more appropriate to him, and satisfactory than a marble statue in Saunders Theatre would have been, or a stained-glass window in Memorial Hall. Yet his presence still lingers in the memory of his friends, like the fragrance of his own roses, after the petals have fallen from their stems.

LONGFELLOW

It has been estimated that there were four hundred poets in England in the time of Shakespeare, and in the century during which Dante lived Europe fairly swarmed with poets, many of them of high excellence. Frederick II. of Germany and Richard I. of England were both good poets, and were as proud of their verses as they were of their military exploits. Frederick II. may be said to have founded the vernacular in which Dante wrote; and Longfellow rendered into English a poem of Richard's which he composed during his cruel imprisonment in Austria. A knight who could not compose a song and sing it to the guitar was as rare as a modern gentleman of fashion who cannot play golf. When James Russell Lowell resigned the chair of poetry at Harvard no one could be found who could exactly fill his place, and it was much the same at Oxford after Matthew Arnold retired.

The difference between then and now would seem to reside in the fact, that poetry is more easily remembered than prose. From the time of Homer until long after the invention of printing, not only were ballad-singers and harpers in good demand, but the recital of poetry was also a favorite means of livelihood to indigent scholars and others, who wandered about like the minstrels. The "article," as Tom Moore called it, was in active request. Poetry was recited in the camp of Alexander, in the Roman baths, in the castles on the Rhine, and English hostelries. Now it is replaced by novel-reading, and there are few who know how much pleasure can be derived on a winter's evening by impromptu poetic recitations. If a popular interest in poetry should revive again, I have no doubt that hundreds of poets would spring up, as it were, out of the ground and fill the air with their pleasant harmonies. The editor of the Atlantic informed Professor Child that he had a whole barrelful of poetry in his house, much of it excellent, but that there was no use he could make of it.

Henry Wadsworth Longfellow was as irrepressible a rhymer as John Watts himself, and fortunately he had a father who recognized the value of his talent and assisted him in a judicious manner, instead of placing obstacles in his way, as the father of Watts is supposed to have done. The account that Rev. Samuel Longfellow has given us of the youth of his brother is highly instructive, and ought to be of service to all young men who fancy they are destined by nature for a poetic career. He tells us how Henry published his first poem in the Portland Gazette, and how his boyish exultation was dashed with cold water the same evening by Judge ——, who said of it in his presence: "Stiff, remarkably stiff, and all the figures are borrowed."

The "Fight at Lovell's Pond" would not have been a remarkable poem for a youth of nineteen, but it showed very good promise for the age at which it was written. Few boys at that age can write anything that will hang together as a poem. Young Longfellow was a better poet at thirteen than his father's friend, the Judge, was a critic. His verses were by no means stiff, but on the contrary showed indications of that natural grace and facility of expression for which he became afterwards distinguished. As for the originality of his comparisons it is doubtful also if the Judge could have proved his point on that question. They were original to Henry, if to nobody else.

Fortunately for Henry he was also a fine scholar. The following year saw him enter as a Freshman at Bowdoin College, which was equal to entering Harvard at the age of fifteen. Look out for the youngest members of a college class! They may not distinguish themselves at the university, but they are the ones who, if they live, outstrip all others. But Longfellow did distinguish himself. In his Junior year he composed seventeen poems which were published, then and afterwards, in the United States Literary Gazette, where his name appeared beside that of William Cullen Bryant. This was quite exceptional in the history of American literature, and as the editor of the Literary Gazette stated it: "A young tree which puts forth so many blossoms is likely to bear good fruits."

With the close of his college course came the important question of Longfellow's future occupation. His father, with good practical judgment, foresaw that poetry alone would not serve to make his son self-supporting and independent; but the boy hated to give this up for a more prosaic employment. While the discussion was going on between them, the authorities of Bowdoin solved the problem for them both by offering young Longfellow a professorship of modern languages on condition that he would spend two years in Europe preparing himself for the position. He had graduated fourth in his class.