If this Bastille of melodrama ever had any existence, the Bastille of the eighteenth century bore the least possible resemblance to it. In 1789, these dungeons on the ground floor of the fortress, with windows looking on the moats, were no longer reserved, as under Louis XV., for prisoners condemned to death, dangerous madmen, or prisoners who had been insolent, obstreperous, or violent; nor for warders guilty of breaches of discipline. At the time of Necker’s first ministry, the use of these dungeons had been abolished altogether.

The prisoner, put through an interrogation in the early days of his detention, was never left in ignorance of the “delinquency” with which he was charged, and had no reason to be concerned about the kind of punishment awaiting him; for there had been neither torture nor punishment of any kind at the Bastille for a hundred years.

Instead of a dungeon or a cage of iron, every prisoner occupied a room of fair size, its greatest defect being that it was rather poorly lighted by a narrow window, secured by bars, some of them projecting inwards. It was sufficiently furnished; and there was nothing to hinder the prisoner from getting in more furniture from outside. Moreover, he could procure whatever clothing and linen he desired, and if he had no means to pay for them, money was supplied. Latude complained of rheumatism, and furs were at once given him. He wanted a dressing-gown of “red-striped calamanco”; the shops were ransacked to gratify him. A certain Hugonnet complained that he had not received the shirts “with embroidered ruffles” which he had asked for. A lady named Sauvé wanted a dress of white silk spotted with green flowers. In all Paris there was only a white dress with green stripes to be found, with which it was hoped that she would be satisfied.

Every room was provided with a fireplace or a stove. Firewood was supplied, and light; the prisoner could have as many candles as he pleased. Paper, pens, and ink were at his disposal; though he was deprived of them temporarily if he made bad use of them, like Latude, who scribbled all day long only to heap insults in his letters on the governor and the lieutenant of police. He could borrow books from the library, and was at liberty to have books sent in from outside. La Beaumelle had six hundred volumes in his room. He might breed birds, cats, and dogs—by no means being reduced to taming the legendary spider of Pellisson,[3] which figures also in the story of Lauzun,[4] and, indeed, of all prisoners in every age. Instruments of music were allowed. Renneville played the fiddle, and Latude the flute. There were concerts in the prisoners’ rooms and in the apartments of the governor.

Every prisoner could work at embroidery, at the turning lathe, or the joiner’s bench, at pleasure. All whose conduct was irreproachable were allowed to come and go, to pay each other visits, to play at backgammon, cards, or chess in their rooms; at skittles, bowls, or tonneau[5] in the courtyard. La Rouërie asked for a billiard table for himself and his friends, and he got it.

The prisoners were permitted to walk on the platform of the fortress, from which they could see the people passing up and down the Rue Saint-Antoine and the vicinity, and watch the animated crowds on the boulevard at the hours when fashionable people were accustomed to take their drives. By the aid of telescopes and big letters written on boards they were able to communicate with the people of the neighbourhood, and, like Latude, to keep up a secret correspondence with the grisettes of the district. Michelet, with too obvious a design, declares that under Louis XVI. the regulations of the prison were more severe than under Louis XV., and that this promenade on the platform was done away with. There is not a word of truth in it. The promenade was forbidden only to those prisoners who, like the Marquis de Sade, took advantage of it to stir up riots among the passers-by; and from the accession of Louis XVI. and the visitation of Malesherbes,[6] the rule of the prison grew milder day by day.

Certain of the prisoners were invited to dine with the governor, and to walk in his gardens, in excellent company. Some were allowed to leave the fortress, on condition of returning in the evening; others were even allowed to remain out all night!

Those who had servants could have them in attendance if the servants were willing to share their captivity. Or they had room-mates, as was the case with Latude and Allègre.

In regard to food, the prisoners are unanimous in declaring that it was abundant and good. “I had five dishes at dinner,” says Dumouriez, “and five at supper, without reckoning dessert.” The Provost de Beaumont declared that he had quitted the Bastille with regret, because there he had been able to eat and drink to his heart’s content. Poultier d’Elmotte says: “M. de Launey had many a friendly chat with me, and sent me what dishes I wished for.” Baron Hennequin, a hypochondriac who found fault with everything, confesses nevertheless that they gave him more meat than he could eat. The Abbé de Buquoy affirms that he fared sumptuously, and that it was the king’s intention that the prisoners should be well fed. The splenetic Linguet owns, in his pamphlet, that he had three good meals a day, and that meat was supplied to him in such quantities that his suspicions were aroused: “They meant to poison me!” he says. But he omits to say that de Launey sent him every morning the menu for the day, on which he marked down with his own hand the dishes he fancied, “choosing always the most dainty, and in sufficient quantities to have satisfied five or six epicures.”

In Louis XIV.’s time, Renneville drew up the following list of dishes served to him: “Oysters, prawns, fowls, capons, mutton, veal, young pigeons; forcemeat pies and patties; asparagus, cauliflower, green peas, artichokes; salmon, soles, pike, trout, every kind of fish whether fresh-water or salt; pastry, and fruits in their season.” We find Latude complaining that the fowls given him were not stuffed! M. Funck-Brentano tells the amusing story of Marmontel’s eating by mistake the dinner intended for his servant, and finding it excellent.