Pray accept, my dear Lenz, the most sincere expressions of feeling and best thanks of
Your very affectionate and obliged
F. Liszt
Weymar, December 2nd, 1852
As Madame Bettina d'Arnim has been passing some weeks at Weymar, I let her know about your book. Feeling sure that the good impression it has made on her would be a pleasure to you to hear, I begged her to confirm it by a few lines, which I enclose herewith.—
92. To Robert Radecke in Leipzig
[Printed in the Neue Berliner Musik-Zeitung, November 20th, 1890.—The addressee, afterwards Conductor of the Royal Opera, and present Director of the Royal Academical Institute for Church Music in Berlin, was formerly Vice-director of the Leipzig "Singacademie" with Ferdinand David, and, intoxicated with the first performance of Berlioz's Faust at Weimar, he had determined to give such another in the Vocal Union of which he was Co- director. With this object he begged Liszt for the score. But the plan was not carried out, as Radecke exchanged his post at New Year, 1853, for that of a Music Director at the Leipzig Town theater.]
Best thanks, dear Radecke, for your letter and the approved good intention.
The "Faust" score will be at your service with great pleasure as soon as I have got it back from Berlioz. It is probable that the copy which Berlioz will see about for me in Paris will be ready by Christmas, so that I shall be able to send it you soon after New Year.
In the course of the winter I intend also to give a performance of the little oratorio "La Fuite en Egypte," attributed to the imaginary Maitre de Chapelle Pierre Ducre. This graceful and interesting work should meet with approbation in Leipzig, and offers no difficulty either for voice or orchestra. If you keep the secret, and let your Gesangverein [Vocal Union] study it under the name of Pierre Ducre, a composer of the sixteenth century, I am convinced that it will not fail to make an effect.