[Liszt's playful suggestion about the Flight into Egypt was based upon the fact that Berlioz, on its first performance, had mystified the Paris public and brought forward the work under the feigned name of Pierre Ducre, the organist of the Sainte Chapelle in Paris in the year 1679.]
Joachim goes the day after tomorrow to Berlin; Cossmann is in Paris; and Nabich [The first trombone player of the Weimar orchestra, and a most admirable performer on his instrument.] is performing in London, Liverpool, and Manchester. None the less we are giving "Tannhauser" next Sunday (12th) (with subscriptions suspended!), and for this occasion the entire Finale of the second act and the new ending of the third will be studied.
Now farewell, and be active and cheerful, is the wish of yours most sincerely,
F. Liszt
December 9th, 1852
93. To Bernhard Cossmann
[Weimar, December, 1852.]
[The date and ending of the letter are wanting, but from its contents it may be ascribed to this date.]
Thanks, dear friend, for your kind few lines, which have given me sincere pleasure. Joachim is not yet back from Berlin, and Beck [The chief tenor (hero-tenor) at the Court Opera] has again got his old attack of the throat, and I fear rather seriously, from which these six years of cures, it appears, have not succeeded in curing him radically. In consequence of this dearth of tenors, the performances of Wagner's and Berlioz's operas are going to be put off till February, when I hope that Tichatschek will be able to come from Dresden and sing "Tannhauser," "Lohengrin," and the "Flying Dutchman."
As for Cellini [Berlioz's opera]; we shall unfortunately have to wait until Dr. Lieber, the new tenor engaged for next season, at present at the Cologne theater, has learnt the part. I hear Lieber's voice highly spoken of, and it seems that he possesses also a dose of intelligence sufficient to understand how he ought to behave here.—