THE ESSENTIALS AT FORT ADOBE
THE Indian suns himself before the door of his tepee, dreaming of the past. For a long time now he has eaten of the white man's lotos—the bimonthly beef-issue. I looked on him and wondered at the new things. The buffalo, the warpath, all are gone. What of the cavalrymen over at Adobe—his Nemesis in the stirring days—are they, too, lounging in barracks, since his lordship no longer leads them trooping over the burning flats by day and through the ragged hills by night? I will go and see.
The blistered faces of men, the gaunt horses dragging stiffly along to the cruel spurring, the dirty lack-lustre of campaigning—that, of course, is no more. Will it be parades, and those soul-deadening “fours right” and “column left” affairs? Oh, my dear, let us hope not.
Nothing is so necessary in the manufacture of soldiers, sure enough, but it is not hard to learn, and once a soldier knows it I can never understand why it should be drilled into him until it hurts. Besides, from another point of view, soldiers in rows and in lines do not compose well in pictures. I always feel, after seeing infantry drill in an armory, like Kipling's light-house keeper, who went insane looking at the cracks between the boards—they were all so horribly alike.
Then Adobe is away out West in the blistering dust, with no towns of any importance near it. I can understand why men might become listless when they are at field-work, with the full knowledge that nothing but their brothers are looking at them save the hawks and coyotes. It is different from Meyer, with its traps full of Congressmen and girls, both of whom are much on the minds of cavalrymen.
In due course I was bedded down at Adobe by my old friend the Captain, and then lay thinking of this cavalry business. It is a subject which thought does not simplify, but, like other great things, makes it complicate and recede from its votaries. To know essential details from unessential details is the study in all arts. Details there must be; they are the small things that make the big things. To apply this general order of things to this arm of the service kept me awake. There is first the riding—simple enough if they catch you young. There are bits, saddles, and cavalry packs. I know men who have not spoken to each other in years because they disagree about these. There are the sore backs and colics—that is a profession in itself. There are judgment of pace, the battle tactics, the use of three very different weapons; there is a world of history in this, in forty languages. Then an ever-varying terrain tops all. There are other things not confined to cavalry, but regarded by all soldiers. The crowning peculiarity of cavalry is the rapidity of its movement, whereby a commander can lose the carefully built up reputation of years in about the time it takes a school-boy to eat a marsh-mallow. After all, it is surely a hard profession—a very blind trail to fame. I am glad I am not a cavalryman; still, it is the happiest kind of fun to look on when you are not responsible; but it needs some cultivation to understand and appreciate.
I remember a dear friend who had a taste for out-of-doors. He penetrated deeply into the interior not long since to see these same troopers do a line of heroics, with a band of Bannocks to support the role. The Indians could not finally be got on the centre of the stage, but made hot-foot for the agency. My friend could not see any good in all this, nor was he satisfied with the first act even. He must needs have a climax, and that not forthcoming, he loaded his disgust into a trunk line and brought it back to his club corner here in New York. He there narrated the failure of his first night; said the soldiers were not even dusty as advertised; damned the Indians keenly, and swore at the West by all his gods.
There was a time when I, too, regarded not the sketches in this art, but yearned for the finished product. That, however, is not exhibited generally over once in a generation.
At Adobe there are only eight troops—not enough to make a German nurse-girl turn her head in the street, and my friend from New York, with his Napoleonic largeness, would scoff out loud. But he and the nurse do not understand the significance; they have not the eyes to see. A starboard or a port horseshoe would be all one to them, and a crease in the saddle-blanket the smallest thing in the world, yet it might spoil a horse.
When the trumpets went in the morning I was sorry I had thought at all. It was not light yet, and I clung to my pillow. Already this cavalry has too much energy for my taste.