Hand in hand with literary criticism goes historical criticism. The student of Old Testament history seeks to trace the development of the history of Israel by combining in a scientific manner the historical material scattered throughout the Old Testament. In doing this he is compelled to determine the value of the sources from which he gathers information. To do this is the duty of historical criticism. It inquires, for example, whether the records are approximately contemporaneous with the events they record; if so, whether the writers were qualified to observe the events accurately, or to record and interpret them correctly; and, if the accounts were written a considerable time subsequent to the events recorded, whether they were colored in any way by the beliefs and practices of the time in which they were written or compiled. This line of investigation is almost thrust upon the Bible student by a comparison of the books of Kings with the books of Chronicles, which in many portions cover the same ground; and yet, there are marked differences between the descriptions of the two.

These are the different phases of criticism. Ordinarily, however, only two kinds are distinguished: the lower, or textual criticism, and the higher criticism. The aims of textual criticism are described above. The higher criticism combines the functions of literary and historical criticism, while linguistic criticism is considered a part of exegesis or interpretation, not a separate branch of Bible study. The legitimacy of textual criticism is universally recognized. Its importance in a comprehensive study of the Bible is clearly implied in these words of W. H. Green, a generation ago the best known defender of the traditional view of the Old Testament: "Its function is to determine, by a careful examination of all the evidence bearing upon the case, the condition of the sacred text, the measure of its correspondence with, or divergence from, the exact language of the inspired penman, and by means of all available helps to remove the errors which may have gained admission to it from whatever cause, and to restore the text to its pristine purity as it came from the hands of the original writers.... It is not an arbitrary but a judicial process, based on fixed and intelligible principles and conducted in a determinate manner, in which all the evidence is diligently collected, thoroughly sifted, and accurately weighed, and the decision given in accordance with the ascertained facts."[[5]]

No exception is taken to linguistic criticism as a legitimate part of exegesis, but at the mention of higher criticism many good men and women become greatly disturbed, for they seem to look upon it as a handmaid of Satan. A few expressions will illustrate the feeling with which some regard this kind of study: One writer says, "Neither hard times nor higher criticism nor infidelity ... has any effect upon the sale of the Divine Scriptures." He evidently places higher criticism on a par with infidelity. Again: "The so-called higher critics, it is well known, are constantly trying to shake the faith of the Christian by telling him that the books of the Bible were not written by the men whose names are usually given as the human authors." Another writer declares that the higher critics allege that the Bible is "the off-spring of incompetence and fraud." One more quotation may suffice: "Higher criticism tends invariably ... to absolute rationalism and the discrediting of inspiration." Now, if higher criticism is on a par with infidelity, if it declares the Bible to be the "offspring of incompetence and fraud," if it constantly tries to shake the faith of Christians, if it tends invariably to absolute rationalism and discredits inspiration—if it does these things, then the Christian Church may well look upon it with dread and alarm. Whether or not higher criticism is guilty of the things charged against it will probably appear in the further discussion, for from now on chief emphasis will be placed upon the bearing of the higher criticism on the Christian view of the Old Testament.

First of all, it may be well to define, if possible, the term "higher criticism." It is too often assumed by those who should know better, that the adjective "higher" exhibits the arrogance of those using it, who claim thereby an unwarranted precedence for their methods. This assumption is erroneous, for the adjective is used simply to distinguish this kind of criticism from the lower or textual criticism, which, since its purpose is to fix the exact text of a book, necessarily precedes the application of the processes of the higher criticism. The designation may be unfortunate, but thus far no clearer or less objectionable substitute has been found. But what is higher criticism? Higher criticism may be defined as a process of scientific investigation for the purpose of determining the origin, original form, and intended value of literary productions. It cannot be emphasized too strongly that higher criticism is nothing more than a process of study or investigation. It is not a set of conclusions respecting the books of the Bible; it is not a philosophical principle underlying the investigation; it is not a certain attitude of mind toward the Bible; it is not a theory of inspiration nor a denial of inspiration. Higher criticism is none of these things. It is simply a process of study to determine certain truths concerning literary productions.

Again, higher criticism, as a process of study, is not confined to the study of the Bible. It was applied to extra-biblical books long before there was any thought of applying it to the Old or New Testament. Eichhorn, who first applied the term to Old Testament study, has this to say: "I have been obliged to bestow the greatest amount of labor on a hitherto entirely unworked field: the investigation of the inner constitution of the separate books of the Old Testament by the aid of the higher criticism, a new name to no humanist."[[6]]

Once more: the higher criticism as such is not opposed to traditional views. In the words of Professor Zenos: "Its relation to the old and the new views respectively is one of indifference. It may result in the confirmation of the old, or in the substitution of the new for the old.... It is no respecter of antiquity or novelty; its aim is to discover and verify the truth, to bring facts to light whether these validate or invalidate previously held opinions."[[7]] It is a grave mistake, therefore, to attribute to higher criticism an essentially destructive purpose. In reality, it has confirmed traditional views at least as often as it has shown them to be untenable. It does not approach its investigations even with a suspicion of the correctness of tradition; it starts out with the tradition, it accepts it as correct until the process of investigation has brought to light facts and indications which cannot be harmonized with tradition. In such a case criticism believes itself bound to supply a satisfactory explanation of the facts, though such explanation may be contrary to the claims of tradition. Any student Who approaches the inquiry in a spirit different from that here indicated introduces into his investigation elements that are not a part of higher criticism as such, and the latter cannot and should not be held accountable for them.

That it is desirable to answer questions concerning the origin, form, and value of biblical books no one will dispute. C. M. Mead, exceedingly cautious and conservative, says: "I regard the higher criticism as not only legitimate but as useful, and indiscriminate condemnation of it as foolish. Genuine criticism is nothing but the search after truth, and of this there cannot be too much."[[8]] No literary production in the Bible or outside of the Bible can be fully understood unless the interpreter has a full knowledge of its origin, its author, and its first readers. When, where, by whom, to whom, under what circumstances, for what purpose?—an answer to these and similar questions will wonderfully illuminate the message of a book. A knowledge of the form of the writing is also essential to a proper understanding of the same. Is it history or poetry? is it narrative or prediction? or any one of the various kinds of literature? In a similar manner it is important, though not always easy, to know the value a given literary work was intended to have. Is it to be understood as literal history? Is its essential purpose didactic, without special regard for historic accuracy in every detail? Are the religious and ethical truths taught intended to be final, or do they mark a stage in the development toward perfection and finality? These and other important questions of a similar nature the higher criticism seeks to answer.

Some one may say, "Scholars in all ages have sought to answer these questions; why is it, then, that modern higher criticism reaches conclusions concerning the origin, form, and value of Old Testament writings not dreamed of a few centuries ago?" This is a legitimate question, but the answer is not far to seek. It may best be answered by asking another question: Men in all ages have studied the earth, the sun, the stars, and other phenomena of nature; how is it that modern scientists have reached conclusions unknown and undreamed of a few centuries ago? The modern higher criticism, like all modern science, is the outgrowth of the awakening during the Middle Ages which revolutionized the whole world of science, literature, and religion. The Renaissance aroused men's interest in literature and science, the Reformation aroused men's interest in religion as a personal experience. In the Renaissance men began to think for themselves in matters of science and literature; in the Reformation they began to think for themselves in matters of religion. It was inevitable that the awakening of thought and the substitution of reason for authority in science, secular literature, and secular history should ultimately affect sacred history and sacred literature as well.[[9]]

Chronologically, it is true, the work of higher criticism began even before the time of the Renaissance among Spanish Jews. But this Jewish criticism did not at the time exert any influence in the Christian Church. Only after criticism had secured a foothold among Christian scholars were the results of Jewish investigation made use of. In the same way the purely negative conclusions of some of the early Christian heretics, based upon dogmatic considerations rather than historical investigations, have no organic connection with the investigations and results of modern criticism. It is perfectly correct, therefore, to state that the modern higher criticism had its birth in the great awakening of the Renaissance and the Reformation. They gave to it a life and an impetus which from that day to this have not abated in the least. Some of the reformers themselves and their coworkers advanced views which later investigation has confirmed and expanded. Carlstadt, for example, the friend and coworker of Luther, published in 1520 an essay in which he argued, on the ground that the style of narration in the account of Moses's death which, he believed, was not written by Moses, was the same as in the preceding chapters, that it might be held that Moses did not write the entire Pentateuch. The freedom with which Luther criticized both the Old and the New Testament books is well known. Concerning the Old Testament, he admitted that the books of Kings were more credible than Chronicles. "What would it matter," he asks, "if Moses did not write the Pentateuch?" He thinks it probable that Isaiah, Jeremiah, Hosea, and Ecclesiastes received their final form at the hands of redactors. The testimony of the psalm titles he does not regard as conclusive. He admits chronological difficulties and contradictions in the statements of historical facts. He concedes that we do not always hear God himself speaking in the Old Testament. Esther might well have been left out of the canon, and First Maccabees might have been included. If this is not criticism, what is?

The case of Luther has been mentioned simply to show the absurdity of the claim that modern higher criticism is the outgrowth of German rationalism or English deism or infidelity; or that a man who pursues Old Testament study on the line of the higher criticism is necessarily an infidel, a rationalist, or a fool. True, there have been and are those out of sympathy with Christianity or the Bible who have employed critical methods in carrying on their anti-Christian warfare; but such misuse of critical methods no more proves the illegitimacy of this process of investigation than the employment of a surgical instrument, which, in the hands of a skillful surgeon, may be the means of saving a diseased organism, by a murderer to carry out his destructive aim, would prove that the use of all surgical instruments is unscientific or criminal. The vast majority of the so-called higher critics do not deserve the denunciations heaped upon them by some who consider themselves sole defenders of the faith. Most of them are Christian men whose loyalty to Christ, whose devotion to the truth, and whose sincerity of motive no one has reason or right to question or doubt. It is exceedingly unfortunate that many writers have failed to recognize this fact. No one acquainted with the history of biblical criticism can accept the following as a true characterization of serious critics: "I mean by professional critic, one who spends his time and strength in trying to find some error or discrepancy in the Bible; and, if he thinks he does, rejoiceth as 'one who findeth great spoil'; who hopes, while he works, that he may succeed, thinking thereby to obtain a name and notoriety for himself."[[10]] In a similar spirit Sir Robert Anderson speaks of "the foreign infidel type of scholar ... as ignorant of man and his needs as a monk, and as ignorant of God and his ways as a monkey."[[11]] Such abuse is unchristian, and no good can be accomplished by it. The truth of the matter is more adequately expressed by James Orr when he says: "There are, one must own, few outstanding scholars at the present day on the Continent or in Britain—in America it is somewhat different—who do not in greater or less degree accept conclusions regarding the Old Testament of the kind ordinarily denominated critical. Yet among the foremost are many whom no one who understands their work would dream as classing as other than believing, and defenders of revealed religion."[[12]] Then, after mentioning a number of scholars, he describes them as "all more or less critics, but all convinced upholders of supernatural revelation." But even among these Christian, evangelical, higher critics a distinction must be made between two classes. The one may be called, for want of a better name, traditional, because its adherents insist that their investigations on the line of the higher criticism have confirmed in all essentials the positions held during many centuries. It should be noted, however, that many scholars who are sometimes quoted as upholders of the traditional view are ready to make many concessions to those who believe that the traditional views are no longer tenable.[[13]] On the other hand is a class of critics which may be called nontraditional, critics who claim that their investigations, while confirming the truth of many traditional positions, compel them in other cases to set aside the traditional views in favor of some more in accord with the facts in the case. It may be difficult to state all the causes responsible for the differences in the conclusions of these two classes of critics. However, the writings of some scholars in the former class seem to show that the authors are influenced, to some extent at least, by the fear that further concessions would affect the Christian theory of inspiration. Another cause may be found in the fact that the present generation of Old Testament scholars received its training largely at the hands of those accustomed to the traditional viewpoint; the influence of this early training manifests itself to some extent in the present attitude. A more important cause, however, is supplied by the nature of the evidence upon the basis of which these critical questions must be settled. Mathematical demonstration is impossible in very many cases. The critic must be qualified to estimate probabilities, and various degrees of probability, depending upon the nature of the grounds on which it rests. In the nature of the case, the personal element enters into the estimate of the degree of probability. What to some may appear a high degree of probability, or amount to practical certainty, may to another investigator, perhaps less familiar with the facts in the case, appear of less value and lead him to reject the conclusion entirely. As long as this condition of affairs continues—and there is no reason to suppose that it ever will be otherwise—perfect agreement among critical investigators need not be expected; but a fair and thorough examination of the facts by all must be insisted upon.