[The Roman Triclinium, or Dining Room.]

The plan in the margin shews the position of guests; the place of honor was that which is indicated by "No. 1," and that of the host by "No. 9."

(The Illustration is taken from Dr. Jacob von Falke's "Kunst im Hause.")

Chapter II.

The Middle Ages.

Period of 1000 years from Fall of Rome, A.D. 476, to Capture of Constantinople, 1453—the Crusades—Influence of Christianity—Chairs of St. Peter and Maximian at Rome, Ravenna and Venice—Edict of Leo III. prohibiting Image worship—the Rise of Venice—Charlemagne and his successors—the Chair of Dagobert—Byzantine character of Furniture—Norwegian carving—Russian and Scandinavian—the Anglo-Saxons—Sir Walter Scott quoted—Descriptions of Anglo-Saxon Houses and Customs—Art in Flemish Cities—Gothic Architecture—the Coronation Chair at Westminster Abbey—Penshurst—French Furniture in the 14th Century—Description of rooms—the South Kensington Museum—Transition from Gothic to Renaissance—German carved work: the Credence, the Buffet, and Dressoir.

he history of furniture is so thoroughly a part of the history of the manners and customs of different peoples, that one can only understand and appreciate the several changes in style, sometimes gradual and sometimes rapid, by reference to certain historical events and influences by which such changes were effected.

Thus, we have during the space of time known as the Middle Ages, a stretch of some 1,000 years, dating from the fall of Rome itself, in A.D. 476, to the capture of Constantinople by the Turks under Mahomet II. in 1453, an historical panorama of striking incidents and great social changes bearing upon our subject. It was a turbulent and violent period, which saw the completion of Rome's downfall, the rise of the Carlovingian family, the subjection of Britain by the Saxons, the Danes, and the Normans; the extraordinary career and fortunes of Mahomet; the conquest of Spain and a great part of Africa by the Moors; and the Crusades, which, for a common cause, united the swords and spears of friend and foe.

It was the age of monasteries and convents, of religious persecutions and of heroic struggles of the Christian Church. It was the age of feudalism, chivalry, and war; but, towards the close, a time of comparative civilisation and progress, of darkness giving way to the light which followed; the night of the Middle Ages preceding the dawn of the Renaissance.