Note 1. Although the Federal Government has set its face against the Indians making war with each other (or at least pretends so to do), it would appear by the following notice, that, in their necessity, they have not adhered to the following resolutions:—
Extract of a Letter, date:—
“Fort Brooke, Florida, June 14.
“The Cherokees and Choctaws are soon expected in this country, when there will be a war of extermination and no quarter shown. The affairs here are just the same as two years ago. The war is no nearer ended. But we do hope that the offer of ten dollars for each Seminole scalp will be a great inducement for the Cherokees and Choctaws to cut and slash among them.”
Volume Three—Chapter Eleven.
Reply to the Edinburgh Review.
The art of reviewing may be compared to French cookery; it has no medium—it must either be first-rate or it is worth nothing: nay, the comparison goes much further, as the attempt at either not only spoils the meat, but half poisons the guests. The fact is, good reviewing is of the highest order of literature, for a good reviewer ought to be superior to the party whose writings he reviews. Such men as Southey, Croker, and Lockhart on the one side, Brougham, Fontblanque, and Rintoul on the other, will always command respect in their vocations, however much they may be influenced by political feelings, or however little you may coincide with them in opinion. But, passing over these, and three or four more cordons bleus, what are reviewers in general? men of a degree of talent below that of the author whose works they presume to decide upon; the major portion of whom, having failed as authors, are possessed with but one feeling in their disappointment, which is to drag others down to their own debased level. To effect this, you have malevolence substituted for wit, and high-sounding words for sense; every paltry advantage is taken that can be derived from an intentional misrepresentation of your meaning, and (what is the great secret of all) from unfair quotations of one or two lines, carefully omitting the context—an act of unpardonable dishonesty towards the author, and but too often successful in misleading the reader of the Review. By acting upon this last-mentioned system, there is no book, whatever its merits may be, which cannot be misrepresented to the public: a work espousing atheism may be made to appear wholly moral; or, the Holy Scriptures themselves condemned as licentious and indecent. If such reviewing is fair, a jury may, upon a similar principle, decide upon a case by the evidence in favour of the prosecution; and beauty or deformity in architecture be pronounced upon by the examination of a few bricks taken out from different portions of a building.
That, latterly, the public have been more inclined to judge for themselves, than to pin their faith upon reviews, is certain; nevertheless, when what is termed a “slashing article” upon a popular work makes its appearance, the public are too apt to receive it without scrutiny. Satisfied with the general effect, as with that produced in a theatrical representation, they do not bear in mind that that which has the appearance of gold, would prove upon examination to be nothing more than tinsel.