Were all reviewers to be reviewed by authors as well as all authors by reviewers, the authors would have the best of it in the mélée. Again, were reviewers obliged to put their names to their several articles, there would be a great difference in their style; but, secure in their incognito from the disgrace of exposure, they make no scruple to assert what they well know to be false, and, coward-like, to assail those who have seldom an opportunity, whatever may be their power, to defend themselves. Never, perhaps, was there a better proof of the truth of the foregoing observations than is afforded by the article in the Edinburgh Review upon the first portion of my work on America; and as I have some pages to spare, I shall now take the unusual liberty of reviewing the Reviewer.

First, let me introduce to the public the writer of the article—Miss Harriet Martineau. My readers may inquire how I can so positively make this assertion? I reply that it is owing to my “craft.” A person who has long dealt in pictures will, without hesitation, tell you the name of the painter of any given work: a shepherd with a flock of three or four hundred sheep under his charge, will know every one of them individually, although to people in general, one sheep is but the counterpart of the others. Thus, there are little varieties of style, manner, and handling of the pen, which become evident to practised writers, although they are not always so to readers. But even if these peculiarities were not sufficient, the manner in which the article is managed (the remarks of Miss Martineau upon the merits of Miss Martineau) in my mind establishes to conviction, that the major portion of the article, if not the whole, has proceeded from her pen. This is a matter of no consequence, and I only mention it that my readers may understand why Miss Martineau, who forms so prominent a feature in the Edinburgh article, will also occasionally appear in mine. My reply, however, is not addressed to her, but to the Edinburgh Reviewer.

I have no doubt the Reviewer will most positively deny that Miss Martineau had any thing to do with the Review of my work: that of course. With his permission, I will relate a little anecdote. “When the Royal George went down at Spithead, an old gentleman, who had a son on board, was bewailing his loss. His friends came to console him. ‘I thought,’ observed one of them, ‘that you had received a letter?’—‘Yes,’ replied the old gentleman, ‘but it was from Jack himself.’—‘Well, what more would you have?’—‘Ah,’ replied the old gentleman, ‘had it been from the captain, or from one of his messmates, or, indeed, from anybody else, it would have consoled me; but Jack,—he is such an incorrigible liar, that his very assertion that he is safe, convinces me that he has gone to the bottom.’”

Now my opinion of the veracity of the Edinburgh Review may be estimated by the above anecdote; the very circumstance of its denial would, with me, be sufficient to establish the fact. But to proceed.

The Review has pronounced the first portion of my work to be light and trifling, and full of errors; it asserts that I have been hoaxed by the Americans; that I am incapable of sound reasoning; cannot estimate human nature; and, finally, requests as a favour that I will write no more. Such are the general heads of the Review.

Now here we have a strange inconsistency, for why should the Edinburgh Review, if the work be really what he asserts it to be, “light and trifling,” etcetera, waste so much powder and shot upon a tomtit? Why has he dedicated twenty-seven pages of ponderous verbosity to so light and trifling a work? How seldom is it that the pages of the Quarterly or Edinburgh condescend to notice even the very best of light literature! Do they not, in their majesty, consider it infra dig. to review such works, and have not two or three pages bestowed upon them been considered as an immense favour on their part, and a high compliment to the authors? Notwithstanding which, we have here twenty-seven pages of virulent attack upon my light and trifling work. Does not the Edinburgh reviewer at once shew that the work is not light and trifling? does he not contradict his own assertions, by the labour and space bestowed upon it? nay, more, is it not strange that he should think it necessary to take the unfair advantage of reviewing a work before it is half finished, and pounce upon the first portion, with the hopes of neutralising the effects which he evidently dreads from the second.

I will answer the question for him. He indulges in his precipitate and unmeasured attacks, because he feels that the work is written in a style that will induce every one to read it; because he feels assured that the occasional, and apparently careless hits at democracy, are only preparatory to others more severe, and that these will come out in the second part, which will be read with as much avidity as the first. He perceives the drift of the work; he feels that it has been purposely made amusing, and that it will be more injurious to the cause which the Edinburgh Review upholds than a more laboured treatise; that those who would not look at a more serious work will read this, and that the opinions it contains will be widely disseminated, and impressed without the readers being aware of it; moreover, that it will descend to a class of readers who have hitherto been uninformed upon the subject: in short, he apprehends the greater danger to his cause from the work having, as I have said, been made amusing, and from its being in appearance, although not in reality, “light and trifling.”

I candidly acknowledge that the Reviewer is right in his supposition: my great object has been to do serious injury to the cause of democracy. To effect this, it was necessary that I should write a book which should be universally read—not merely by the highly educated portion of the community, for they are able to judge for themselves; but read by every tradesman and mechanic; pored over even by milliners’ girls, and boys behind the counter, and thumbed to pieces in every petty circulating library. I wrote the work with this object, and I wrote accordingly. Light and trifling as it may appear to be, every page of it (as I have stated) has been the subject of examination and deliberation: it has given me more trouble than any work I ever wrote; and, my labour having been so far crowned with success, I trust that I shall have “done the State some service.” (See Note 1.) The review in the Edinburgh will neither defeat nor obstruct my purpose, as that publication circulates chiefly among those classes who have already formed their opinions; and I have this advantage over it, that, as for one that reads the Edinburgh Review, fifty will read my work, so will fifty read my reply who will never trouble themselves about the article in the Edinburgh Review.

And now let us enter a little into detail. The Reviewer finds great fault with my introduction, as being wholly irrevelant to the Diary which follows it. I admit, that if it were an introduction to the Diary alone, there then would be some justice in his remark. But such is not the case: an introduction is, I believe, generally understood to refer to the whole of the work, not a portion of it; and now that the work is complete, I leave it to the public to decide whether the introduction is suitable or not, as bearing upon the whole. I believe, also, it is the general custom to place an introduction at the commencement of a work; I never heard of one being introduced into the middle or at the end of it. The fault, therefore, of its imputed irrelevancy is not mine: it is the Reviewer’s, who has thought proper to review the work before it was complete. He quotes me, as saying, “Captain Marryat’s object was to examine and ascertain what were the effects of a democratic form of government upon a people which, with all its foreign admixture, may still be considered as English;” and then, without waiting till I have completed my task, he says, that the present work “has nothing, or next to nothing, to do with such an avowal.” Whether such an assertion has any thing to do with the work now that it is completed, I leave the public to decide. The Reviewer has no excuse for this illiberal conduct, for I have said, in my Introduction, “In the arrangement of this work, I have considered it advisable to present to the reader first, those portions of my Diary which may be interesting, and in which are recorded traits and incidents which will bear strongly upon the commentaries I shall subsequently make;” notwithstanding which the reviewer has the mendacity to assert that, “not until the last paragraph of the last volume, does he learn for the first time that the work is not complete.” I will be content with quoting his own words against him—“An habitual story teller prefers invention to description.”

The next instance of the Reviewer’s dishonesty is, his quoting a portion of a paragraph and rejecting the context. He quotes, “I had not been three weeks in the country before I decided upon accepting no more invitations, charily as they were made,” and upon this quotation he founds an argument that, as I did not enter into society, I could of course have no means of gaining any knowledge of American character or the American institutions. Now, if the reviewer had had the common honesty to finish the paragraph, the reason why I refused the invitations would have been apparent; “because I found that, although invited, my presence was a restraint upon the company, and every one was afraid to speak.” Perhaps the sagacity of the Reviewer will explain what information I was likely to gain from people who would not open their mouths. Had he any knowledge of the Americans, he would admit that they never will venture to give their opinions in the presence of each other; it was not that they were afraid of me, but of each other, as Monsieur de Tocqueville has very truly pointed out in his work. Moreover, I have now, for the first time, to learn that the best way of arriving at the truth is to meet people who are on their guard, and whose object is to deceive.