And, in full harmony with this immanental conception, the greater suffering which would arise did she abide with this sight of herself and yet without any moral change is described as springing up spontaneously within herself. “The soul, seeing Purgatory to have been ordained for the very purpose of purging away its stains, casts itself in, and seems to find a great compassion (on the part of God) in being allowed (able) to do so.” This appears to be only a variety of the immanental view just given.[278]

4. Purgatory: the subsequent process.

We have finally to give her doctrine as to the particular dispositions, joys, and sufferings of the soul during the process of its purgation, and as to the cause and manner of the cessation of that process.

As to the dispositions, they are generally the same as those which impelled the soul to put itself in this place or condition. Only whereas then, during that initial moment, they took the form of a single act, an initiation of a new condition, now they assume the shape of a continuous state. Then the will freely tied itself; now it gladly though painfully abides by its decision and its consequences. Then the will found the relief and distraction of full, epoch-making action; now it has but to will and work out the consequences involved in that generous, all-inclusive self-determination. The range and nature of this, its continuous action will thus be largely the very reserve of those of that momentary act. “The souls that are in Purgatory are incapable of choosing otherwise than to be in that place, nor can they any more turn their regard (si voltare) towards themselves, and say: ‘I have committed such and such sins, for which I deserve to tarry here’; nor can they say, ‘Would that I had not done them, that now I might go to Paradise’; nor yet say, ‘That soul is going out before me’; nor, ‘I shall go out before him.’ They are so completely satisfied that He should be doing all that pleases Him, and in the way it pleases Him, that they are incapable of thinking of themselves.” Indeed they are unable even to see themselves, at least directly, for “these souls do not see anything, even themselves in themselves or by means of themselves, but they (only) see themselves in God.” Indeed we have already seen that to do, or to be able to do, otherwise, would now “let self come in (sarebbe una proprietà).”[279]

And the joys and sufferings, and the original, earthly cause of the latter, are described as follows. “The souls in Purgatory have their (active) will conformed in all things to the will of God; and hence they remain there, content as far as regards their will.” “As far as their will is concerned, these souls cannot find the pain to be pain, so completely are they satisfied with the ordinance of God, so entirely is their (active) will one with it in pure charity. On the other hand, they suffer a torment so extreme, that no tongue could describe it, no intellect could form the least idea of it, if God had not made it known by special grace.” And indeed she says: “I shall cease to marvel at finding that Purgatory is” in its way as “horrible as Hell. For the one is made for punishing, the other for purging: hence both are made for sin, sin which itself is so horrible and which requires that its punishment and purgation should be conformable to its own horribleness.” For in Purgatory too there still exist certain remains of imperfect, sinful habits in the will. “The souls in Purgatory think much more of the opposition which they discover in themselves to the will of God,” than they do of their pain. And yet, being here with their actual will fully at one with God’s purifying action (an action directed against these remains of passive opposition), “I do not believe it would be possible to find any joy comparable to that of a soul in Purgatory, except the joy of the Blessed in Paradise.”[280]

Now the sufferings of the soul are represented either as found by it, under the form of an obstacle to itself, whilst in motion to attain to God, a motion which in some passages is outward, in others inward; or as coming to it, whilst spacially at rest. Only in the latter case is there a further attempt at pictorially elucidating the nature of the obstacle and the cessation of the suffering. It is fairly clear that it is the latter set of passages which most fully suits her general teaching and even imagery. For, as to the imagery: after that one movement in which the soul determines its own place, we want it to abide there, without any further motion. And, as to doctrine: more and more as the soul’s history is unfolded, should God’s action within it appear as dominating and informing the soul’s action towards God, and should change of disposition supplant change of place.

First, then, let us take the clearer but less final conception, and see the soul in movement, in a struggle for outward motion. “Because the souls that are in Purgatory have an impediment between God and themselves, and because the instinct which draws the soul on to its ultimate end is unable as yet to attain to its fulfilment (perfezione), an extreme fire springs up from thence (within them), a fire similar to that of Hell.” We have here an application and continuation of the transcendental imagery, so that the impediment is outside or on the surface of the soul, and God is outside and above this again: but the whole picture here, at least as regards the fire, is obscure and tentative.[281]

Or the soul is still conceived as in movement, but the motion is downwards from its own surface to its own centre, a centre where resides its Peace, God Himself. “When a soul approaches more and more to that state of original purity and innocence in which it had been created, the instinct of God, bringing happiness in its train (istinto beatifico), reveals itself and increases on and on, with such an impetuousness of fire that any obstacle seems intolerable.”[282] Here we have the immanental picturing, the soul moving down, under the influence of its instinct for God, to ever fuller masses of this instinct present within the soul’s own centre. But the extreme abstractness and confusion of the language, which mixes up motion, different depths of the soul, and various dispositions of spirit, and which represents the soul as capable of approaching a state which has ceased to exist, cast doubts on the authenticity of this passage. In both these sets where the soul is in motion, we hear only of an impediment in general and without further description; and, in both cases, the fire springs up because of this impediment, whereas, as we shall see, in the self-consistent form of her teaching the Fire, God, is always present: the impediment simply renders this Fire painful, and that is all.

And next we can take the soul as spacially stationary, and as in process of qualitative change. Here we get clear and detailed pictures, both of what is given to the soul and of what is taken away from it. The images of the positive gain constitute the beautiful sixth chapter of the Trattato. But its present elaborate text requires to be broken up into three or four variants of one and the same simile, which are probably all authentic. I give them separately.