“If in the whole world there existed but one loaf of bread to satisfy the hunger of every creature: in such a case, if the creature had not that one bread, it could not satisfy its hunger, and hence it would remain in intolerable pain.”[283] Note how, so far, the nature of the possession of the bread is not specified, it is simply “had”; and how the pain seems to remain stationary.
“Man having by nature an instinct to eat: if he does not eat, his hunger increases continually, since his instinct to eat never fails him.”[284] Here all is clearer: man now takes the place of the creature in general; the possession is specified as an eating; the pain is a hunger; and this hunger is an ever-increasing one.
“If in all the world there were but one loaf of bread, and if only through seeing it could the creature be satisfied: the nearer that creature were to approach it (without seeing it and yet knowing that only the said bread could satisfy it), the more ardently would its natural desire for the bread be aroused within it (si accenderebbe),—that bread in which all its contentment is centred (consiste).”[285] Here the image for the nature of the appropriation has been shifted from the least noble of the senses, taste and touch, to the noblest, sight: there is still a longing, but it is a longing to see, to exercise and satiate fully the intellectual faculties. And yet the satiety is evidently conceived not as extending to these faculties alone, but as including the whole soul and spirit, since bread would otherwise cease to be the symbol here, and would have been replaced by light. Note too the subtle complication introduced by the presentation, in addition to the idea of an increase of hunger owing to lapse of time, of the suggestion that the increase is caused by a change in the spacial relations between the hungering creature and its food, and by an ever-increasing approach of that creature to this food.
“And if the soul were certain of never seeing the bread, at that moment it would have within it a perfect Hell, and become like the damned, who are cut off from all hope of ever seeing God, the true Bread. The souls in Purgatory, on the other hand, hope to see that Bread, and to satiate themselves to the full therewith; whence they suffer hunger as great as will be the degree to which they will (eventually) satiate themselves with the true Bread, God, our Love.”[286] Here it is noticeable how the specific troubles of Hell and Purgatory are directly described, whereas the corresponding joys of Heaven are only incidentally indicated; and how the full sight is not preceded by a partial sight, but simply by a longing for this full sight, so that, if we were to press the application of this image, the soul in Purgatory would not see God at all. And yet, as we have seen above, souls there see, though not their particular sins, yet their general sinful habits; for what are the “impediment,” the “imperfection,” the “stain,” which they go on feeling and seeing, but these habits? And they see themselves, though not in themselves, yet in God. But, if so, do they not see God?
The answer will doubtless be that, just as they do not see their sins any more in their specific particularity, but only feel in themselves a dull, dead remainder of opposition and imperfection, so also they do not, after the initial moment of action and till quite the end of their suffering, see God clearly,—as clearly as they do when the process is at an end. During one instant at death they had seen (as in a picture) their sins and God, each in their own utterly contrasted concrete particularity; and this had been the specific cause of their piercing pain and swift plunge. And then came the period of comparative dimness and dulness, a sort of general subconsciousness, when their habits of sin, and God, were felt rather than seen, the former as it were in front of the latter, but both more vaguely, and yet (and this was the unspeakable alleviation) now in a state of change and transformation. For the former, the blots and blurrs, and the sense of contrariety are fading gradually out of the outlook and consciousness; and the latter, the light and life, the joy and harmony of the soul, and God, are looming clearer, nearer, and larger, on and on. And even this initial feeling, this general perception, this semi-sight and growing sight of God, is blissful beyond expression; for “every little glimpse that can be gained of God exceeds every pain and every joy that man can conceive without it.”[287]
The imagery illustrative of what is taken from the soul, and how it is taken, is two-fold, and follows in the one case a more transcendental, in the other case a more immanental, conception, although in each case God is represented as in motion, and the soul as abiding in the same place and simply changing its qualitative condition under the influence of that increasing approach of God and penetration by Him.
The illustration for the more transcendental view is taken from the sun’s light and fire’s heat and a covering. It is, as a matter of fact, made up of three sayings: one more vague and subtle, and two more clear and vivid, sayings. “The joy of a soul in Purgatory goes on increasing day by day, owing to the inflowing of God into the soul, an inflowing which increases in proportion as it consumes the impediment to its own inflowing.”—God’s action upon the imperfect soul is as the sun’s action upon “a covered object. The object cannot respond to the rays of the sun which beat upon it (reverberazione del sole), not because the sun ceases to shine,—for it shines without intermission,—but because the covering intervenes (opposizione). Let the covering be consumed away, and again the object will be exposed to the sun and will answer to the rays in proportion as the work of destruction advances.”—Now “Sin is the covering of the soul; and in Purgatory this covering is gradually consumed by the fire; and the more it is consumed, the more does the soul correspond and discover itself to the divine ray. And thus the one (the ray) increases, and the other (the sin) decreases, till the time (necessary for the completion of the process) is over.”[288]
It is clear that we have here three parallel passages, each with its own characteristic image, all illustrative of an identical doctrine: namely, the persistent sameness of God’s action, viewed in itself, and of the soul’s reaction, in its essential, central laws, needs, and aspirations; and the accidental, superficial, intrinsically abnormal, inhibitory modification effected by sin in that action of God and in the corresponding reaction of the soul.—The first, dimmer and deeper saying speaks of an inflowing of God, with her usual combination of fire-and-water images. We seem here again to have the ocean of the divine fire, Itself pressing in upon the soul within It, yet here with pain and oppression, in so far as the soul resists or is unassimilated to It; and with peace and sustaining power, in so far as the soul opens out to, and is or becomes similar to, It. We hear only of an “impediment” in general, perhaps because the influx which beats against it is imaged as taking place from every side at once.—The second saying, the most vivid of the three, speaks of sun-light, and of how, whilst this sun-light itself remains one and the same, its effect differs upon one and the same object, according as that object is covered or uncovered. Here we get a “covering,” since the shining is naturally imaged as coming from one side, from above, only. But here also it is the same sun which, at one time, does not profit, and, at another time, gives a renewed life to one and the same object; and it is clear, that either Catherine here abstracts altogether from the question as to what consumes the covering, or that she assumes that this consumption is effected by the sun itself.—The third saying is the least simple, and is indeed somewhat suspicious in its actual form. Yet here again we have certainly only one agent, in this case fire, which again, as in the case of the influx and of the sun-light, remains identical in itself, but varies in its effects, according as it does or does not meet with an obstacle. The ray here is a ray primarily of heat and not of light, but which is felt by the soul at first as painful, destructive flame, and at last as peaceful, life-giving warmth.
Now, amongst these three parallel sayings, it is that concerning the inflowing, which leads us gently on to the more immanental imagery—that of fire and dross. And this image is again given us in a number of closely parallel variants which now constitute one formally consecutive paragraph,—the third of Chapter X of the Trattato. “Gold, when once it has been (fully) purified, can be no further consumed by the action of fire, however great it be; since fire does not, strictly speaking, consume gold, but only the dross which the gold may chance to contain. So also with regard to the soul. God holds it so long in the furnace, until every imperfection is consumed away. And when it is (thus) purified, it becomes impassible; so that if, thus purified, it were to be kept in the fire, it would feel no pain; rather would such a fire be to it a fire of Divine Love, burning on without opposition, like the fire of life eternal.”[289] Here the imperfection lies no more, as a covering, on the surface, nor does the purifying light or fire simply destroy that covering and then affect the bare surface; but the imperfection is mixed up with the soul, throughout the soul’s entire depth, and the purification reaches correspondingly throughout the soul’s entire substance. Yet, as with the covering and the covered object, so here with the dross and the impure gold, sin is conceived of as a substance alien to that of the soul. And, so far, God appears distinct from the fire: He applies it, as does the goldsmith his fire to the gold. But already there is an indication of some mysterious relation between the fire of Purgatory and that of Heaven. For if the very point of the description seems, at first sight, to be the miraculous character of the reward attached, more or less arbitrarily, to the soul’s perfect purification, a character indicated by the fact that now not even fire can further hurt the soul, yet it remains certain that, the more perfect the soul, the more must it perceive and experience all things according to their real and intrinsic nature.