My companion whispered, "Five dollars is the usual amount."
She looked out so shudderingly at the congregating figures that I suppressed my indignation and did as she suggested. The driver took the bill without a word. As he started up, he put his hand out the window and I heard a few coins clink on the pavement.
My companion came back into my arms, but her mask faced the television screen, where the tall girl had just pinned the convulsively kicking Little Zirk.
"I'm so frightened," she breathed.
Heaven turned out to be an equally ruinous neighborhood, but it had a club with an awning and a huge doorman uniformed like a spaceman, but in gaudy colors. In my sensuous daze I rather liked it all. We stepped out of the cab just as a drunken old woman came down the sidewalk, her mask awry. A couple ahead of us turned their heads from the half revealed face, as if from an ugly body at the beach. As we followed them in I heard the doorman say, "Get along, grandma, and watch yourself."
Inside, everything was dimness and blue glows. She had said we could talk here, but I didn't see how. Besides the inevitable chorus of sneezes and coughs (they say America is fifty per cent allergic these days), there was a band going full blast in the latest robop style, in which an electronic composing machine selects an arbitrary sequence of tones into which the musicians weave their raucous little individualities.
Most of the people were in booths. The band was behind the bar. On a small platform beside them, a girl was dancing, stripped to her mask. The little cluster of men at the shadowy far end of the bar weren't looking at her.
We inspected the menu in gold script on the wall and pushed the buttons for breast of chicken, fried shrimps and two scotches. Moments later, the serving bell tinkled. I opened the gleaming panel and took out our drinks.