The following engravings represent: A ring in the Musée du Louvre, with a lion sculptured by a Greek artist, in an oriental cornelian; the reverse has an intaglio of a lion couchant. The second, from the Webb Collection, is that of an ancient Greek ring, of solid gold, with the representation of a comic mask in high relief. The other, a gold ring with a bearded mask, Roman, in the Waterton Collection at the South Kensington Museum—also in high relief—has the shoulders thickened with fillets, engraved with stars.
| Greek. | Greek. | Roman. |
A singular discovery of Roman relics was made in 1824 at Terling Place, near Witham, Essex, by some workmen forming a new road; the earth being soaked by heavy rains the cart-wheels sank up to their naves. The driver of the cart saw some white spots upon the mud adhering to the wheels, which proved to be coins. On further search a small vase was discovered in which had been deposited with some coins, two gold rings, which are interesting examples of late Roman work; and representations of these, by Lord Rayleigh’s permission, were given in the ‘Journal of the Archæological Institute’ (vol. iii. p. 163) and are here shown. One of the rings is set with a colourless crackly crystal, or pasta, uncut and en cabochon; the other with a paste formed of two layers, the upper being of a dull smalt colour, the lower dark brown. The device is apparently an ear of corn.
Late Roman.
The Hertz Collection contained a well-formed octahedral diamond, about a carat in weight, set open in a Roman ring of unquestionable authenticity.
At the Loan Exhibition of Ancient and Modern Jewellery at the South Kensington Museum, in 1872, John Evans Esq., F.S.A., contributed a series of seven rings, gold and silver, Roman, set with antique stones; one very massive, of silver and gold, set with intaglio on nicolo onyx; one with an angular hoop, and another with beaded ornaments.
‘Though,’ remarks Mr. Fairholt, ‘a great variety of form and detail was adopted by Greek and Roman goldsmiths for the rings they so largely manufactured, the most general and lasting resembled a Roman ring, probably of the time of Hadrian, which is said to have been found in the Roman camp at Silchester, Berkshire. The gold of the ring is massive at the face, making a strong setting for the cornelian, which is engraved with the figure of a female bearing corn and fruit. By far the greater majority of Roman rings exhumed at home and abroad are of this fashion, which recommends itself by a dignified simplicity, telling by quantity and quality of metal and stone its true value, without any obtrusive aid.’ Sometimes a single ring was constructed to appear like a group of two or three upon the finger. Mr. Charles Edwards, of New York, in his ‘History and Poetry of Finger Rings,’ has given an example of this kind of ring. Upon the wide part of each are two letters, the whole forming ‘ZHCAIC,’ mayst thou live!
| Ring found at Silchester. | Group Pattern. |
‘The simplest and most useful form of rings, and that by consequence adopted by people of all early nations, was the plain elastic hoop. Cheap in construction and convenient in wear, it may be safely said to have been generally patronised from the most ancient to the most modern times.’ An engraving by Mr. Fairholt represents ‘the old form of a ring made in the shape of a coiled serpent, equally ancient, equally far-spread in the old world, and which has had a very large sale among ourselves as a decided novelty. In fact, it has been the most successful design our ring-makers have produced of late years.’