JUVENILE RETIREMENT

The other instance is a sample of a very nervous, shy child, perhaps drawn from the recollections of Jane Austen’s own feelings in childhood, this is Fanny Price, whose loneliness on her first coming to Mansfield Park is carefully depicted, but Fanny herself is unchildlike and exceptional. Her younger brothers rank among the gallery of bad children, for by “the superior noise of Sam, Tom, and Charles chasing each other up and down stairs, and tumbling about and hallooing, Fanny was almost stunned. Sam, loud and overbearing as he was, ... was clever and intelligent.... Tom and Charles being at least as many years as they were his juniors distant from that age of feeling and reason which might suggest the expediency of making friends, and of endeavouring to be less disagreeable. Their sister soon despaired of making any impression on them; they were quite untamable by any means of address which she had spirits or time to attempt.... Betsy, too, a spoilt child, trained up to think the alphabet her greatest enemy, left to be with servants at her pleasure, and then encouraged to report any evil of them.”

But Jane Austen’s abundant pictures of over-indulged, badly-behaved children are not the only ones to be found in contemporary fiction; in Hannah More’s Cœlebs in Search of a Wife the children come in for dessert, “a dozen children, lovely, fresh, gay, and noisy ... the grand dispute, who should have oranges, and who should have almonds and raisins, soon raised such a clamour that it was impossible to hear my Egyptian friend ... the son and heir reaching out his arm to dart an apple across the table at his sister, roguishly intending to overset her glass, unluckily overthrew his own brimful of port wine.” And of another and better behaved family it is observed as a splendid innovation that the children are not allowed to come into dessert, to clamour and make themselves nuisances, but are limited to appearing in the drawing-room later.

One of the characters in Cœlebs is made to observe, “This is the age of excess in everything; nothing is a gratification of which the want has not been previously felt. The wishes of children are all so anticipated, that they never experience the pleasure excited by wanting and waiting.” He speaks also of the “too great profusion and plethora of children’s books,” which is certainly not a thing we are used to attribute to that age.

Several of the children’s books of that date are kept alive to the present day by a salt of insight into child nature, and are published and re-published perennially. Many a child still knows and loves The Story of the Robins, by Mrs. Trimmer, first brought out in 1786; and as for Sandford and Merton, by Thomas Day, which was at first in three volumes, published respectively in 1783, 1787, and 1789, many a boy has revelled in it, not perhaps entirely from the point of view in which it was written, but with a keen sense of the ridiculous in the behaviour of the little prig Harry. Mrs Barbauld’s (and her brother’s) Evenings at Home still delights many children; and Miss Edgeworth’s Parent’s Assistant, of which the first volume appeared in 1796, is a perennial source of amusement in nurseries and schoolrooms. The Fairchild Family suffers from an excess of religiosity, and a terrible belief in the innate wickedness of a little child’s heart, which is not now tolerated. When Emily and Lucy indulge in a childish quarrel, they are taken to see what remains of a murderer who has hung on a gibbet until his clothes are rotting from him, and the warning is enforced by a long sermon; but in spite of much that would not be suitable according to present ideas for a child to hear, The Fairchild Family, the first part of which came out a year subsequently to the death of Jane Austen, contains much that is very human in behaviour and action. Though later in date than the others mentioned as surviving, it really is quite as early in treatment, as it is a record of what Mrs. Sherwood, born in the same year as Jane Austen, remembered of her own childhood.

The book contains many examples of the spoilt-child phase, in contrast with which the strict upbringing of the young Fairchilds is shown as the better way. What Mrs. Sherwood puts into the mouth of Mrs. Fairchild about her childhood is probably autobiographical, and may be quoted as an instance of the sterner modes which were then rapidly passing out of vogue.

“I was but a very little girl when I came to live with my aunts, and they kept me under their care until I was married. As far as they knew what was right, they took great pains with me. Mrs. Grace taught me to sew, and Mrs. Penelope taught me to read; I had a writing and music master, who came from Reading to teach me twice a week; and I was taught all kinds of household work by my aunts’ maid. We spent one day exactly like another. I was made to rise early, and to dress myself very neatly, to breakfast with my aunts. After breakfast I worked two hours with my aunt Grace, and read an hour with my aunt Penelope; we then, if it was fine weather, took a walk; or, if not, an airing in the coach, I and my aunts, and little Shock, the lap-dog, together. At dinner I was not allowed to speak; and after dinner I attended my masters or learned my tasks. The only time I had to play was while my aunts were dressing to go out, for they went out every evening to play at cards. When they went out my supper was given to me, and I was put to bed in a closet in my aunts’ room.”

A modern child under such treatment would probably develop an acute form of melancholia.

The home education of the time, for girls at least, was very superficial. We gather something of what was supposed to be taught from the remarks of the Bertram girls in Mansfield Park when they plume themselves on their superiority to Fanny—

“‘Dear mamma, only think, my cousin cannot put the map of Europe together—or my cousin cannot tell the principal rivers in Russia, or she never heard of Asia Minor, or she does not know the differences between water colours and crayons! How strange! Did you ever hear anything so stupid?’