“‘My dear,’ their considerate aunt would reply, ‘it is very bad, but you must not expect everybody to be as forward and quick at learning as yourself.’

“‘But, aunt, she is really so very ignorant. Do you know we asked her last night which way she would go to get to Ireland, and she said she should cross to the Isle of Wight. I cannot remember the time when I did not know a great deal that she has not the least notion of yet. How long ago is it, aunt, since we used to repeat the chronological order of the kings of England, with the dates of their accession, and most of the principal events of their reigns?’

“‘Yes,’ added the other, ‘and of the Roman Emperors as low as Severus, besides a great deal of the heathen mythology, and all the metals, semi-metals, planets, and distinguished philosophers.’”

The rattle-pate, Miss Amelia, in Cœlebs thus gives an account of her education: “I have gone on with my French and Italian of course, and I am beginning German. Then comes my drawing-master; he teaches me to paint flowers and shells, and to draw ruins and buildings, and to take views.... I learn varnishing, gilding, and Japanning. And next winter, I shall learn modelling and etching and engraving in mezzotint and aquatinta. Then I have a dancing-master who teaches me the Scotch and Irish steps, and another who teaches me attitudes, and I shall soon learn to waltz. Then I have a singing-master, and another who teaches me the harp, and another for the pianoforte. And what little time I can spare from these principal things, I give by odd minutes to ancient and modern history, and geography and astronomy, and grammar and botany, and I attend lectures on chemistry, and experimental chemistry.”

Jane’s early childhood was probably a very happy one; what with the companionship of Cassandra, with the liveliness and constant comings and goings of the brothers who were educated at home by Mr. Austen himself, with all the romps of a large family having unlimited country as a playground, it can hardly have failed to be so. While she was still too young to profit much by school teaching on her own account, she was sent to a school at Reading kept by a Mrs. Latournelle, because Cassandra was going, and the two sisters could not bear to be parted. How long she was at this school I do not know, but the subjects taught were probably those scheduled in the comprehensive summary of smatterings given by the two Miss Bertrams. This school was a notable one, and among the later pupils was Mrs. Sherwood, who followed Jane after an interval of nine years. She probably went to school as late as Jane went early, which would account for the gap in time between two who should have been contemporary.

Miss Mitford was also a pupil; she went in 1798 when the school had been removed to Hans Place, London. She gives a lively account of it. It was kept by M. St. Quintin, “a well-born, well-educated, and well-looking French emigrant,” who “was assisted, or rather chaperoned, in his undertaking by his wife, a good-natured, red-faced Frenchwoman, much muffled up in shawls and laces; and by Miss Rowden, an accomplished young lady, the daughter and sister of clergymen, who had been for some years governess in the family of Lord Bessborough. M. St. Quintin himself taught the pupils French, history, geography, and as much science as he was master of, or as he thought it requisite for a young lady to know; Miss Rowden, with the assistance of finishing masters for Italian, music, dancing, and drawing, superintended the general course of study; while Madame St. Quintin sat dozing, either in the drawing-room, with a piece of work, or in the library with a book in her hand, to receive the friends of the young ladies or any other visitors who might chance to call.”

Miss Mitford says further that the school was “excellent,” that the pupils were “healthy, happy, well-fed, and kindly treated,” and that “the intelligent manner in which instruction was given had the effect of producing in the majority of the pupils a love of reading and a taste for literature.”

Of course Jane, being such a child when she went, can hardly have taken full use of the opportunities which were afforded her, but perhaps she laid at school the foundations of that cleverness in neat sewing and embroidery which is manifested in the specimens still in the possession of her relatives.

There is a portrait of Jane painted when she was about fifteen. It shows a bright child with shining eyes and one loose lock of hair falling over her forehead; not particularly pretty, but intelligent and with character. She is standing, and is dressed in the simple white gown, high waist, short sleeves, and low neck which little girls wore as well as their elders, and round her neck is a large locket slung on a slender chain. Her portrait was painted by Zoffany when she was about fifteen, on her first visit to Bath, but whether this reproduction, which appears in the beginning of Lord Brabourne’s Letters of Jane Austen, is from that picture I have not been able to ascertain.

Mr. Austen-Leigh says of her—