All means of creating political ideals from within, of forging the links between leader and people in the plastic minds of children and youths, will be an education in one of the fundamental elements of patriotism. Such an education would be very different, however, from the state planned and authorized education that has been carried on under autocratic regimes. The difference is one of spirit and result, rather than of method. In one case the State becomes a kind of Nirvana, in the thought of which personality and individuality are negated. Patriotism produced in the minds of the young under the influence of a democratic spirit tends to become a creative force rather than a blind devotion to an accepted order. Institutions are made and advanced rather than merely obeyed and defended in this educational process. The widest scope and the freest opportunity are allowed for superior qualities of leaders and for right principles to have an effect upon society (and the result we invite indeed is a profound hero worship on the part of the young), but the conditions would be such that no other kind of authority would be able to exert a wide influence. To secure these conditions is, of course, one of the chief tasks of all the administrative branches of our educational service.

The final factor of patriotism, according to our analysis, is loyalty to country as an historical object. The ideas and the feelings centering about the conception of country as personal, as living, as having rights and experience, duties and individuality are likely to be vivid and intense. They are the inspirers of supreme devotion to country, and also at times, of morbid national pride and fanatical country-worship. The education of this idea of country we should suppose would be one of the fundamental problems of the development of patriotism. Presumably we are not to try to destroy this idea of country that all people seem to have, or to show it as one of the illusions of personification. Country is, of course, different from the mere sum of the people. It has continuity and it performs functions and it is an historic entity. Modernize and reform this idea, we must, but we cannot do away with it as something archaic and superstitious. Country is real, the concepts of honor and right belong to it, and country is something to which the mind must do homage.

Boutroux says that a nation is a person, and has a right to live and to have its personality recognized as its own. Granting this to be true, and that we must think of country as personal and active, the question arises whether this concept of country is something that requires in any definite way educational interference. We should say that if countries are essentially living historic entities having as such a high degree of reality, this reality-sense will be an important element in the practical life of peoples. There can be no thought in our historical era of breaking up these entities we call nations. It is a day of intensified rather than of diminished nationalism. The sense of reality of nations must, we might think, be made more intense; pride of country must remain; we may find some place even for the idea of the divine nature of country, which is an element in the patriotic spirit everywhere. That this conception of country is a very necessary element in the morale of a country in war seems clear; that the morale of peace must be founded upon the same personal and religious sentiments we can hardly doubt.

Ambition for country is a normal result of the acceptance of the idea of country as personal, and ambition for country appears to be the very essence of any patriotic sentiment that is sincere. Still ambition for country has been, in some of its forms, a cause of wars. What other conclusion can we come to, then, than that ambition for country must be subjected to radical educational influences? This is the reverse side of political progress. Ambition must be given new content and new direction. All the power and the sentiment of the old imperialistic motive must remain, but all peoples must now be educated to see that the maintenance of its position in the world on the part of any nation is now a far more difficult and far more complex task than ever before. The building of empire must be shown to have been far easier and far less heroic, and much less a test of the superiority of a nation than we have supposed. We can show that military virtues are much more nearly universal than has often been assumed, and that nations that are inherently superior must abandon voluntarily their ambitions of aggression, if they wish to remain superior and to have a place of honor in the world.

This implies no teaching of pure internationalism. We still recognize as fundamental the whole spirit of nationalism. Country must remain first after all. All must indeed learn to take in some way the statesman's point of view in regard to country—with its sense of the future, of wide relations and long periods of time, and its practical vision. It is futile to think of this future as one wholly without struggle and competition. We must teach history also far more with the forward view. History has dealt too exclusively even in America with the past. National ambition that has as its aim to realize, with independence and power, all the good that an enlightened nation contains, but at the same time to act with justice and with the thought of the nation as a part of a coördinated world must take this point of view.

It is a median course between merely naïve and day by day living, such as Lehmann (15) complains about as the natural tendency of uneducated patriotism, and the kind of program making that takes into account only the purposes of a single nation that we must follow in teaching this forward view of national history. There is a danger in either extreme. We may remain a nature people, without a true historic sense, and be conscious only of a dramatic past which appeals to sentiment and a still more ambiguously glorious future; or, on the other hand we may become too definitely ambitious and too conscious of some special mission in the world. A nation with a program, a nation that does not recognize the experimental nature of history, is a dangerous element in the society of nations, even though its ambitions be not purely selfish. Excessive rationalism in national consciousness is itself a menace. We must live by our historic sense, by some ideal of a future for our nation; the people must have some vision of a glorious future, and not be expected to see only an unending vista of problems and labors, but this history must be understood and taught intimately and appreciatively and not merely objectively and logically. We must take an interest in the careers of all nations, and understand history psychologically and be willing to judge it ethically. So far we have had the opposite view in most of our teaching and writing of history. We must take a fair and tolerant view of the power motive that exists in all nations, and try to understand what it means to be of another nationality and to have ambitions like our own. Without such an attitude, we should argue, no one can be truly patriotic, if patriotism means having at heart the true interests of one's own country.

It is not only possible and fair, therefore, but necessary that patriotism be enlightened. It is possible to be devoted each one first of all to his own country, to have few illusions about its values, and at the same time to have tolerance for all other nations. What other spirit is there, in fact, in which our history can now be taught? It seems absurd to say that such a spirit is weak. It implies consciousness of strength, of being able to hold one's own in a fair field, to have the dignity and sense of maturity that come from contact with a real world. With such a spirit it would not be necessary to accept as inevitable the brutality of all national development, to use the words of Mach, a recent writer. We need no longer believe that war is the only thing that can prevent national disintegration, as many maintain. National consciousness certainly makes progress even without such dramatic and tragic events as have recently taken place. Boutroux says that in France, after the Dreyfus affair, although strong nationalistic feeling was stirred, there was also a new vision of the destiny of the French people as not only defenders of their own country but as champions of the rights of all nationalities. German writers have not failed to notice this, and have been inclined to regard this spirit of France as a sign of degeneration and decay of the national life. We see now that generosity and justice are far from being evidences of weakness, and also that in the larger logic of history these weaknesses generate strength; at least they bring powerful friends in time of need.

Once Germany herself was affected by such ideals of history. In the time of Goethe, Cramb reminds us, mankind, culture and humanity were the great words. But upon this love of humanity and culture and love of the homeland a political spirit was engrafted, and this new spirit of Germany has manifestly now led to her downfall. No! there is no threat to national existence and no disloyalty to country in the form of internationalism that now is before us. As social consciousness widens and social relations become more intricate and more practical, national lines are not lost, but indeed become clearer. These national boundaries are not temporary or artificial or imaginary lines, for they represent and define activities and interests that engage the most fundamental and the most persistent of human motives.

It is in this spirit that loyalty to country as historic object should, we believe, be taught. This idea we teach of course through history, in part, but history alone in any ordinary sense, as we might think of it as a subject in the curriculum of a school, is not enough. These ideas must be made persuasive and dynamic. For this as we see over and over again, art is the true method. The object to be presented and which must inspire devotion is an ideal object. It is complex and it performs practical functions, but it is through and through such an object as appeals most deeply to the æsthetic feelings. The image of this object must be made impressive. Since the ideal of our country is more abstract than that of most countries, as an object still less vivid and less personal, since it lacks some of the means of appeal to the feelings that imperialistic countries have, there is all the more need of art to make the figure of ideal country stand out sharply before us. As we pass beyond the patriotism which is only a love of home, or a devotion to a political unit, to a patriotism that is a loyalty to a more abstract and more intangible idea, the art by which the idea of country is conveyed would, we should suppose, also become more abstract. Hocking says that it is through symbols that the mind best gropes its way to the realization of ideas. Feeling and imagery, we know, are very susceptible to the influences of the symbol, and also to the phrase which is a lower order of symbol. Dramatic representation, all pageantry, pictorial art, music, even the art of the poster artist and the cartoonist have a place in the work of portraying country as an ideal object, and inspiring devotion to it and its causes. A far-seeking educational policy will scorn none of these in its effort to crystallize the concept of country and give it power and reality.

Finally this idea of country must be put to work in every mind and in every life. Otherwise all education of patriotism will tend toward inevitable jingoism, and arouse all the violent and introverted feelings that have made history a long story of wars without end. This idea of country has been too aristocratic. It must now become accustomed to a life of daily toil, and not merely expend itself in enthusiasm and in self-sacrifice in crises such as war. Country as an idol of the aristocratic patriotism has always been too far removed from practical affairs. This patriotism has been too personal and too exclusive. Glory, honor and fame have played too large a part in it. On the other hand, the common idea of country needs to be made more vivid and more glorious. This spirit is accustomed to toil but not to have enthusiasm. It certainly needs more of art in its patriotism as well as in its daily life. We all need historical perspective. We must have through education what tradition has failed to give us. It is just by lacking the patriotism that a vivid sense of country as historic personage gives, by lacking imagination and the ability to detach themselves from the reality and the surroundings of the daily life that the working classes are so likely to be affected by influences that tend to break down all patriotism.