It is a healthier sign, however, that the more recent biographers of Burns snap their fingers in the face of convention, and, looking to the legacy he has left the world, refuse to sit in sackcloth and ashes round his grave, either in the character of moralising mourners or charitable mutes. Whatever has to be said against them nowadays, the 'cant of concealment'—to adopt another of Gilfillan's phrases—is not to be laid to their charge. Rather have they rushed to the other extreme, and in their eagerness to do justice to the memory of the poet, led the reader astray in a wilderness of unnecessary detail. So much is now known of Burns, so many minute and unimportant details of his life and the lives of others have been unearthed, that the poet is, so to speak, buried in biography; the character and the personality of the man lost in the voluminous testimony of many witnesses. Reading, we note the care and conscientiousness of the writer; we have but a confused and blurred impression of the poet. Although a century has passed since his death, we do not yet see the events of Burns's life in proper perspective. Things trifling in themselves, and of little bearing on his character, have been preserved, and are still recorded with painful elaboration; while the sidelights from friends, companions, and acquaintances, male and female, are many and bewildering.

Would it not be possible out of this mass of material to tell the story of Robert Burns's life simply and clearly, neither wandering away into the family histories and genealogies of a crowd of uninteresting contemporaries, nor wasting time in elaborating inconsequential trifles? What is wanted is a picture of the man as he was, and an understanding of all that tended to make him the name and the power he is in the world to-day.

William Burness, the father of the poet, was a native of Kincardineshire, and 'was thrown by early misfortunes on the world at large.' After many years' wanderings, he at last settled in Ayrshire, where he worked at first as a gardener before taking a lease of some seven acres of land near the Bridge of Doon, and beginning business as a nurseryman. It was to a clay cottage which he built on this land that he brought his wife, Agnes Broun, in December 1757; and here the poet was born in 1759. The date of his birth is not likely to be forgotten.

'Our monarch's hindmost year but ane
Was five-and-twenty days begun,
'Twas then a blast o' Jan'war' win'
Blew hansel in on Robin.'

To his father Burns owed much; and if there be anything in heredity in the matter of genius, it was from him that he inherited his marvellous mental powers. His mother is spoken of as a shrewd and sagacious woman, with education enough to enable her to read her Bible, but unable to write her own name. She had a great love for old ballads, and Robert as a boy must often have listened to her chanting the quaint old songs with which her retentive memory was stored. The poet resembled his mother in feature, although he had the swarthy complexion of his father. Attempts have been made now and again to trace his ancestry on the father's side, and to give to the world a kind of genealogy of genius. Writers have demonstrated to their own satisfaction that it was perfectly natural that Burns should have been the man he was. But the other children of William Burness were not great poets. It has even been discovered that his genius was Celtic, whatever that may mean! Excursions and speculations of this kind are vain and unprofitable, hardly more reputable than the profanities of the Dumfries craniologists who, in 1834, in the early hours of April 1st,—a day well chosen,—desecrated the poet's dust. They fingered his skull, 'applied their compasses to it, and satisfied themselves that Burns had capacity enough to write Tam o' Shanter, The Cotter's Saturday Night, and To Mary in Heaven.' Let us take the poet as he comes to us, a gift of the gods, and be thankful. As La Bruyère puts it, 'Ces hommes n'ont ni ancêtres ni postérités; ils forment eux seuls toute une descendance.'

What Burns owed particularly to his father he has told us himself both in prose and verse. The exquisite and beautiful picture of the father and his family at their evening devotions is taken from life; and William Burness is the sire who

'turns o'er with patriarchal grace
The big ha'-bible ance his father's pride';

and in his fragment of autobiography the poet remarks: 'My father picked up a pretty large quantity of observation and experience, to which I am indebted for most of my pretensions to wisdom. I have met with few men who understood men, their manners and their ways, equal to him; but stubborn, ungainly integrity and headlong, ungovernable irascibility are disqualifying circumstances; consequently I was born a very poor man's son.... It was his dearest wish and prayer to have it in his power to keep his children under his own eye till they could discern between good and evil; so with the assistance of his generous master, he ventured on a small farm in that gentleman's estate.'

This estimate of William Burness is endorsed and amplified by Mr. Murdoch, who had been engaged by him to teach his children, and knew him intimately.

'I myself,' he says, 'have always considered William Burness as by far the best of the human race that ever I had the pleasure of being acquainted with. He was an excellent husband; a tender and affectionate father. He had the art of gaining the esteem and goodwill of those that were labourers under him. He carefully practised every known duty, and avoided everything that was criminal; or, in the apostle's words, Herein did he exercise himself in living a life void of offence towards God and man.'