[Note.]—In giving information about books, do not confuse the title with the contents or some part of the contents. Be accurate in referring to the time, scene, action, plot, or characters.

Exercise:

  1. The victrola brings to the home the world's musical ability.
  2. The user of Dietzgen instruments is not vexed by numerous troubles that accompany the inferior makes.
  3. To the picnicker rainy weather is bad weather, while the farmer raises a big crop.
  4. Some diseases can be checked by preventives, and in many cases can be of great use to an army.
  5. This idea of breaking all records held for eating is naturally harmful to the digestion, and these important organs may thank their stars that Christmas does not come very often.
[Transitions]

The state of mind of a writer is not the state of mind of his reader. The writer knows his ideas, and has spent much time with them. The reader meets these ideas for the first time, and must gather them in at a glance. The relation between two ideas may be clear to the writer, and not at all clear to the reader. Therefore,

8. In passing from one thought to another, make the connection clear. If necessary, insert a word, a phrase, or even a sentence, to carry the reader safely across.

[Note.]—The divisions of thought within a paragraph may likewise be indicated by connectives: however, on the other hand, equally important, another interesting problem is, for this reason, the remedy for this, so much for, it remains to mention, of course I admit, finally. (For a longer list see [36].) Such phrases are also useful in linking one paragraph to another.