22. Prest: ready; French, “pret.”
23. Alanus de Insulis, a Sicilian poet and orator of the twelfth century, who wrote a book “De Planctu Naturae” — “The Complaint of Nature.”
24. The falcon was borne on the hand by the highest personages, not merely in actual sport, but to be caressed and petted, even on occasions of ceremony, Hence also it is called the “gentle” falcon — as if its high birth and breeding gave it a right to august society.
25. The merlion: elsewhere in the same poem called “emerlon;” French, “emerillon;” the merlin, a small hawk carried by ladies.
26. The scorning jay: scorning humbler birds, out of pride of his fine plumage.
27. The false lapwing: full of stratagems and pretences to divert approaching danger from the nest where her young ones are.
28. The sparrow, Venus’ son: Because sacred to Venus.
29. Coming with the spring, the nightingale is charmingly said to call forth the new leaves.
30. Many-coloured wings, like those of peacocks, were often given to angels in paintings of the Middle Ages; and in accordance with this fashion Spenser represents the Angel that guarded Sir Guyon (“Faerie Queen,” book ii. canto vii.) as having wings “decked with diverse plumes, like painted jay’s.”
31. The pheasant, scorner of the cock by night: The meaning of this passage is not very plain; it has been supposed, however, to refer to the frequent breeding of pheasants at night with domestic poultry in the farmyard — thus scorning the sway of the cock, its rightful monarch.