THE ROYAL APPROACH.

I had probably been left for an hour, and was getting lost in the contemplation of all the wonders, when a louder sound of voices and an increasing clang of horns and kettledrums led me to suppose that there was an announcement of the approach of the king; but, no, this was only a prelude. The sovereign was still being painted and beautified by the hands of his fair ones. There was, however, a fresh and increasing commotion near the entrance of the hall, where a number of ornamental weapons was being arranged. Posts were driven into the ground, and long poles were fastened horizontally across them; then against this extemporized scaffolding were laid, or supported crosswise, hundreds of ornamental lances and spears, all of pure copper, and of every variety of form and shape. The gleam of the red metal caught the rays of the tropical noontide sun, and in the symmetry of their arrangement the rows of dazzling lance-heads shone with the glow of flaming torches, making a background to the royal throne that was really magnificent. The display of wealth, which according to Central African tradition was incalculable, was truly regal, and surpassed anything of the kind that I had conceived possible.

A little longer and the weapons are all arranged. The expected king has left his home. There is a running to and fro of heralds, marshals, and police. The thronging masses flock towards the entrance, and silence is proclaimed. The king is close at hand. Then come the trumpeters flourishing away on their huge ivory horns; then the ringers swinging their cumbrous iron bells; and now, with a long firm stride, looking neither to the right nor to the left, wild, romantic; picturesque alike in mien and in attire, comes the tawny Cæsar himself! He was followed by a number of his favoured wives. Without vouchsafing me a glance, he flung himself upon his unpretending chair of state, and sat with his eyes fixed upon his feet. Mohammed had joined the retinue of his royal friend, and took up his position opposite me on the other side of the king on a stool that was brought for his accommodation. He also had arrayed himself in a suitable dress in honour of the occasion, and now sat in the imposing uniform of a commander of Arnauts.

I could now feast my eyes upon the fantastic figure of the ruler. I was intensely interested in gazing at the strange weird-looking sovereign, of whom it was commonly reported that his daily food was human flesh. With arms and legs, neck and breast, all bedizened with copper rings, chains, and other strange devices, and with a great copper crescent at the top of his head, the potentate gleamed with a shimmer that was to our ideas unworthy of royalty, but savoured far too much of the magazines of civic opulence, reminding one almost unavoidably of a well-kept kitchen! His appearance, however, was decidedly marked with his nationality, for every adornment that he had about him belonged exclusively to Central Africa, as none but the fabrications of his native land are deemed worthy of adorning the person of a king of the Monbuttoo.

THE ROYAL COSTUME.

Agreeably to the national fashion a plumed hat rested on the top of his chignon, and soared a foot and a half above his head; this hat was a narrow cylinder of closely-plaited reeds; it was ornamented with three layers of red parrots’ feathers, and crowned with a plume of the same; there was no brim, but the copper crescent projected from the front like the vizor of a Norman helmet. The muscles of Munza’s ears were pierced, and copper bars as thick as the finger inserted in the cavities. The entire body was smeared with the native unguent of powdered cam-wood, which converted the original bright brown tint of his skin into the colour that is so conspicuous in ancient Pompeian halls. With the exception of being of an unusually fine texture, his single garment differed in no respect from what was worn throughout the country; it consisted of a large piece of fig bark impregnated with the same dye that served as his cosmetic, and this, falling in graceful folds about his body, formed breeches and waistcoat all in one. Round thongs of buffalo-hide, with heavy copper balls attached to the ends, were fastened round the waist in a huge knot, and like a girdle held the coat, which was neatly-hemmed. The material of the coat was so carefully manipulated that it had quite the appearance of a rich moiré antique. Around the king’s neck hung a copper ornament made in little points which radiated like beams all over his chest; on his bare arms were strange-looking pendants which in shape could only be compared to drumsticks with rings at the end. Halfway up the lower part of the arms and just below the knee were three bright, horny-looking circlets cut out of hippopotamus-hide, likewise tipped with copper. As a symbol of his dignity Munza wielded in his right hand the sickle-shaped Monbuttoo scimitar, in this case only an ornamental weapon, and made of pure copper.

As soon as the king had taken his seat, two little tables, beautifully carved, were placed on either side of his throne, and on these stood the dainties of which he continually partook, but which were carefully concealed by napkins of fig-bark; in addition to these tables, some really artistic flasks of porous clay were brought in, full of drinking water.

Such was Munza, the autocrat of the Monbuttoo, with whom I was now brought face to face. He appeared as the type of those half-mythical potentates, a species of Mwata Yanvo or Great Makoko, whose names alone have penetrated to Europe, a truly savage monarch, without a trace of anything European or Oriental in his attire, and with nothing fictitious or borrowed to be attributed to him.

He was a man of about forty years of age, of a fair height, of a slim but powerful build, and, like the rest of his countrymen, stiff and erect in figure. Although belonging to a type by no means uncomely, his features were far from prepossessing, but had a Nero-like expression that told of ennui and satiety. He had small whiskers and a tolerably thick beard; his profile was almost orthognatic, but the perfectly Caucasian nose offered a remarkable contrast to the thick and protruding negro lips. In his eyes gleamed the wild light of animal sensuality, and around his mouth lurked an expression that I never saw in any other Monbuttoo, a combination of avarice, violence, and love of cruelty that could with the extremest difficulty relax into a smile. No spark of love or affection could beam forth from such features as his.

A considerable time elapsed before the king looked directly at the pale-faced man with the long hair and the tight black clothes who now for the first time appeared before him. I held my hat in my hand, but no greeting had as yet taken place, for, observing that everyone kept his seat when the king entered the hall, I had done the same, and now waited for him to address me. The wild uproar of the cannibals still continued, and Munza, sitting in a careless attitude, only raised his eyes now and then from their fixed stare upon the ground as though to scan the whole assemblage, but in reality to take stray glances at my person, and in this way, little by little, he satisfied his curiosity. I could not help marvelling at the composure of this wild African, and wondering where in the world he could have learnt his dignity and self-possession.