[109] Such I take to be the contrast implied in the words den Adel ihrer Gesinnung and die Macht ihrers Gemüths. Gesinnung is the sense-perception. Gemüth includes the creative fertility.
[110] Hier, i.e., as contrasted with the first stage of the discussion.
[111] "Henry IV, Part II," act i, scene I.
[112] "King Richard II," act iv, sc. 1.
[113] "King Henry VIII," act iii, sc. 1.
[114] "Julius Caesar," act iv, sc. 3.
[115] "Macbeth," act v, sc. 5.
[116] "Henry VIII," act iii, sc. 2.
[117] "Antony and Cleopatra," act V, sc. 2.
[118] The meaning is that the selection is not made merely with reference to external resemblance, but is also based on relations only existing in the soul of the artist and therefore to that extent capricious, however much they appear to be essential.