[4] The present, that is, which is objective to sense.
[5] So löst sich das Ideal in seine Momente auf. According to this it would appear that the process is wholly identified with the system of the particular arts. But the universal world-presentments are surely equally a process or at least an abstract of such a process. And this is in fact affirmed lower down.
[6] A favourite metaphor of Hegel. The idea is that the metal is all one infusion producing a result that is like the appearance of Athene from the brow of Zeus.
[7] Der Subjektivität. The mind of the artist.
[8] A misprint. Der should be die.
[9] Zuversicht. Confidence in itself.
[10] Die Sache. The fact, the artistic object primarily treated.
[11] Die Subjektivität. What is personal in the perception of judgment.
[12] A fine illustration of this passage is to be found in Miss Harrison's description of the Praxiteles Hermes in her admirable "Introductory Studies in Greek Art" (see chap, VI), a work every student of Greek Art should peruse.
[13] Gediegenheit. Sterling solidity. To understand all that is implied the above cited work of Miss Harrison is the clearest and most useful I know.