For persons who may not wish to be at the expense of the lucernal, as formerly mounted by Mr. Adams, Mr. Jones has altered the manner of its support; which, as well as the other particulars, and the method of using it, may be understood from the following description.
[Plate IX.] Fig. 3, is a representation of the instrument as placed up for use. AA, the top of a mahogany chest, about two feet long, thirteen inches and an half high, and eight inches broad, which serves both as a case to contain the instrument, and to support and preserve it steady when in use. A groove is cut in the top of the box, and another in the inside at the bottom, in both of which the base of the instrument is made to slide. When the instrument is placed inside, a long slip of mahogany slides in at the top, to secure the groove, and make the top perfect. Thus the instrument may be most readily slid out of its case, and then into the groove at top for use, and in much less time than by the brass frame and jointed stand adopted by Mr. Adams. Fig. 3 B, is the stage for the objects, with the condensing lens a, and concave mirror b, the same as in Mr. Adams’s. C, the brass slider case for opake objects, with a rack cut into its lower edge, and which is turned by a pinion. To this pinion is applied an handle, D, with Hooke’s universal joint; this contrivance gives a certain horizontal motion to the objects while viewing. The stage at C is also made to slide vertically, and a lever-rod or handle, E, to apply through the top, to bring the objects to a just height. Hence, by applying the left hand to the handle, E, and the right to the rod D, the adjustment or the changing of the objects, while under exhibition on the large lenses at F, is produced in the most convenient and accurate manner, and the observer has no occasion, for one slider, to shift from his seat or position.
Rack-work might be applied to the vertical motion, but it is not essentially necessary; for when once the center of the slider is observed, there requires very little change from that position for the complete exhibition of the objects. The whole of the stage, with the lense and mirror, is fixed to a brass dove-tailed slider at G, which slides in another brass piece fixed to the wooden slider or base of the instrument. A long brass rod, H, with an adjusting screw at its end, passes through the two brass pillars, K, K, to the stage at f, upon which it acts; and according as it is turned to the right or left hand while examining the objects, moves the objects nearer to or farther from the magnifiers screwed on at L, and produces the just distance for rendering the appearance of the objects the most distinct and brilliant upon the glasses at F.
The management of the light from the lamp, through the lens, a, and from the concave mirror, b, to the objects, is exactly the same as before directed by Mr. Adams. For the exhibiting of transparent objects, the stage, C, is to be slid away, and the body, Fig. 4, applied in its place, in that position, with the large lens outwards next the lamp. The slider with the objects passes through at a, and the focus for the different magnifiers is adjusted by turning the long rod, D, to the right or left, as with the opake objects. In this case the lamp is to be raised to the center of the body of the microscope, or even with the magnifiers at L. The image of the objects may also, as in Mr. Adams’s, be best received on the rough glass placed at F, for the simple reflected light through the body will sometimes be so strong, as to irritate the eye; the operator must, therefore, both modify that from the lamp, and place the roughed glass to his own ease and pleasure. The guide for the eye, N, in this instance is not necessary. Care being taken that the roughed glass at F be kept in as dark a situation as possible, there will be a certainty of a clear and well-defined view of the object.
A tin chimney placed over the glass of the lamp about ten inches long, with a suitable aperture to admit the light to pass through it to the glasses, is of material service; it excludes all superfluous light from the eye of the observer, keeps the room sufficiently darkened, and enables the observer to view his object with the proper brilliancy. As a pleasing relief to the eye, the interposition of a small piece of blue or green glass at the sight hole, N, Mr. Jones has sometimes found necessary, but it gives rather a false teint to the colour of the objects.
In the year 1789 the same artist applied a brass screw pillar and arm to the top of the box at O, on which is occasionally slid the condensing lens, a. The lamp being then applied at the side of the box at O, instead of the end, and the lens, a, moved to such a distance as to give the strongest possible light upon the opake objects at C; they were found to be more strongly illuminated by this simple refracted light than by the refracted and reflected light before used. Light is always somewhat diminished by reflection, although condensed; therefore, as it is sometimes best to view the objects from oblique reflected light, and sometimes from direct refracted, he constructs the apparatus so as to give the operator the means of easily using either. The dotted lines, O P, shew the manner that the glass semiglobe, a, is occasionally applied to refract or converge directly the light from the lamp to the objects on the stage.
It is scarcely necessary to observe to the reader, the propriety of all the glasses of the apparatus being perfectly clean before the observations; for if, after being laid aside some time, or by dust, &c. they should appear soiled, it will be necessary to wipe them previously with a piece of soft shammy leather usually sent in the box for that purpose, or a clean soft cloth. The two large lenses at F, Fig. 3, may be readily separated by turning aside the two brass screws that act upon a brass ring.
From the various ingenious admirers of this sort of instrument, many improvements and alterations have been suggested; among several that have been communicated, those by the two following gentlemen appear to me the most deserving of notice, and which I shall leave to the reader’s judgment and experience.
The Rev. John Prince, LL. D. now of Salem, Massachuset’s States, North America, a valuable correspondent and friend of our late author, transmitted to him an alteration in the construction; and of which I here insert the brief account, in nearly the words given by Mr. Adams.
Dr. Prince applies a strong joint similar to that of a telescope at about the middle of the center part of the pyramidical box, and a sort of adjusting screw at the large end. The joint is nearly in the center of gravity, so that a very small motion is sufficient to bring any object less than an inch in diameter into the field of view. This motion is effected by two screws at right angles to each other; one screw raising or levelling the body, the other moving it sidewise, the screw at the same time forming a double joint to accommodate the parts to the movement.[31]