That one possesses these feelings of appreciation, at least to some degree, is a matter of human equipment, but what one appreciates in art, literature, human nature, etc., depends primarily on training. There is almost no situation in life that with all people at all times will arouse appreciative feelings. Although there are a few fundamental conditions established by the physical make-up of the sense organs and by the original capacities of the human race, still they are few, and at present largely unknown, and experience does much to modify even these. What is crude, vulgar, inharmonious, in art and music to some people, arouses extreme aesthetic appreciation in others. Literature that causes one person to throw the book down in disgust will give greatest enjoyment to another. What is malice to one person is humorous to another. What people enjoy and appreciate depends primarily on their experience for the development of these feelings, depends upon the laws of association, readiness, exercise, and effect. To raise power of appreciation from low levels to high, from almost nothing to a controlling force, needs but the application of these laws. But no one of them can be neglected with impunity. It must be a gradual growth, beginning with tracks that are ready, because of the presence of certain instincts, and working on to others through the law of association. To expect a child of seven to appreciate a steel engraving, or a piece of classic music, or moral qualities in another person is to violate the law of readiness. To expect any one in adult life to enjoy music, or art, or nature, who has not had experience with each and enjoyed each continually as a child, is to violate the laws of exercise and effect.
Two or three suggestions as to aids in the application of these laws may be in place. First, a wealth of images is an aid to appreciation. Second, the absence for the time of the critical attitude. Third, an encouragement of the passive contemplative attitude. Fourth, the example of others. Suggestion and association with other people who do appreciate and enjoy are among the best means of securing it.
The value of feelings of appreciation are threefold: First, they serve as recreation. It is in enjoyment of this kind that most of the leisure of civilized races is spent. It serves on the mental level much the same purpose that play does, in fact, much of it is mental play of a kind. Second, they are impersonal. They are valuable in that they take us out of ourselves, away from self-interests, and therefore make for mental health and sanity as well as for a sympathetic character. They are also a means of broadening one's experience. Third, they have a close relationship with ideals and therefore have an active bearing on conduct. It is not necessarily true that one will tend in himself or in his surroundings to be like what he enjoys and appreciates, but the tendency will be strongly in that direction. If an individual truly appreciates, enjoys, beautiful pictures, good music and books, he will be likely, so far as he can, to surround himself with them. If he appreciates loyalty, openmindedness, tolerance, as he meets them in literature and history, he may become more so himself. At least, the developing of appreciations is the first step towards conduct in those lines. In order to insure the conduct, other means must be taken, but without the appreciation the conduct will be less sure.
One who would count most in developing power of appreciation upon the part of children may well inquire concerning his own power of appreciation. There is not very much possibility of the development of joy in poetry, in music, or any other artistic form of expression through association with the teacher who finds little satisfaction in these artistic forms, who has little power of aesthetic appreciation. It is only as teachers themselves are sincere in their appreciation of the nobility of character possessed by the men and women whose lives are portrayed in history, in literature, or in contemporary social life that one may expect that their influence will be important in developing such appreciation upon the part of children. Those pupils are fortunate who are taught by teachers who have a sense of humor, who are able to grow enthusiastic over the intellectual achievement of the leaders in the field of study or investigation in which the children are at work. Children are, indeed, quick to discover sentimentalism or pseudo-appreciation upon the part of teachers, but even though they may not give any certain expression to their enjoyment, they are usually largely influenced by the attitude and genuine power of appreciation possessed by the teacher.
In our attempt to have children grow in the field of appreciation we have often made the mistake of attempting to impose upon them adult standards. A great librarian in one of our eastern cities has said that he would rather have children read dime novels than to have them read nothing. From his point of view it was more important to have children appreciating and enjoying something which they read than to have their lives barren in this respect. In literature, in music, and in fine art the development in power of appreciation is undoubtedly from the simple, cruder forms to those which we as adults consider the higher or nobler forms of expression. Mother Goose, the rhymes of Stevenson, of Field, or of Riley, may be the beginning of the enjoyment of literature which finds its final expression in the reading and in the possession of the greatest literature of the English language. The simple rote songs which the children learn in the first grade, or which they hear on the phonograph, may lead through various stages of development to the enjoyment of grand opera. Pictures in which bright color predominates may be the beginning of power of appreciation which finds its fruition in a home which is decorated with reproductions of the world's masterpieces.
It is not only in the artistic field that this growth in power of appreciation from the simpler to the more complex is to be found. Children instinctively admire the man who is brave rather than the man who endures. Achievement is for most boys and girls of greater significance than self-sacrifice. It is only as we adapt our material to their present attainment, or to an attempt to have them reach the next higher stage of development, that we may expect genuine growth. All too often instead of growth we secure the development of a hypocritical attitude, which accepts the judgment of others, and which never really indicates genuine enjoyment.
While it is best not to insist upon an analysis of the feelings that one has in enjoying a picture or a poem or a great character, it is worth while to encourage choice. Of many stories which have been told, children may very properly choose one which they would like to tell to others. Of many poems which have been read in class, a group of boys may admire one and commit it to memory, while the girls may care for another and be allowed to memorize it. Wherever such coöperation is possible, the picture which you enjoy most is the one that will mean most in power of appreciation if placed in your room at home. Spontaneous approval, rather than an agreement with an adult teacher who is considered an authority, is to be sought for. There is more in the spontaneous laughter which results as children read together their "Alice in Wonderland" than could possibly result from an analysis of the quality of humor which is involved.
We are coming to understand as a matter of education that we may hope to develop relatively few men and women of great creative genius. The producers of work of great artistic worth are, for the most part, to be determined by native capacity rather than by school exercises. We must think of the great majority of school children as possible consumers rather than as producers. Schools which furnish a maximum of opportunity to enjoy music and pictures may hope to develop in their community a power of discrimination in these fields which will result in satisfaction with nothing less than the best. The player-piano and the phonograph may mean more in the development of musical taste in a community than all of the lessons which are given in the reading of music. The art gallery in the high school, the folk dances which have been produced as a part of the school festivals, the reading of the best stories, may prepare the way for the utilization of leisure time in the pursuit of the nobler pleasures. The teacher with a saving sense of humor, large in his power of appreciation of the great men and women of his time, and all of the time keen in his own enjoyment and in his ability to interpret for others those things which are most worth while in literature and in art, may count more largely in the life of the community than the one who is a master in some field of investigation.
QUESTIONS
1. What are the characteristics of the mental states which are involved in appreciation?