In writing, as in everything else, he was an amateur, and more or less remained one for life; but the greatest of his time accepted him at once, and laughed and wept, and loved him for his obvious faults as well as for his qualities. Tous les genres sont bons, hormis le genre ennuyeux! And Barty was so delightfully the reverse of a bore!

Dear me! what matters it how faultlessly we paint or write or sing if no one will care to look or read or listen? He is all fault that hath no fault at all, and we poor outsiders all but yawn in his face for his pains.

They should only paint and write and sing for each other, these impeccables, who so despise success and revile the successful. How do they live, I wonder? Do they take in each other's washing, or review each other's books?

It edifies one to see what a lot of trouble these deriders of other people's popularity will often take to advertise themselves, and how they yearn for that popular acclaim they so scornfully denounce.

Barty was not a well‑read man by any means; his scholarship was that of an idle French boy who leaves school at seventeen, after having been plucked for a cheap French degree, and goes straightway into her Majesty's Household Brigade.

At the beginning of his literary career it would cut him to the quick to find himself alluded to as that inspired Anglo‑Gallic buffoon, the ex‑Guardsman, whose real vocation, when he wasn't twaddling about the music of the spheres, or writing moral French books, was to be Mr. Toole's understudy.

He was even impressed by the smartness of those second‑rate decadents, French and English, who so gloried in their own degeneracy—as though one were to glory in scrofula or rickets; those unpleasant little anthropoids with the sexless little muse and the dirty little Eros, who would ride their angry, jealous little tilt at him in the vain hope of provoking some retort which would have lifted them up to glory! Where are they now? He has improved them all away! Who ever hears of decadents nowadays?

Then there were the grubs of Grub Street, who sometimes manage to squirt a drop from their slime‑bags on to the swiftly passing boot that scorns to squash them. He had no notion of what manner of creatures they really were, these gentles! He did not meet them at any club he belonged to—it was not likely. Clubs have a way of blackballing grubs—especially grubs that are out of the common grubby; nor did he sit down to dinner with them at any dinner‑table, or come across them at any house he was by way of frequenting; but he imagined they were quite important persons because they did not sign their articles! and he quite mistook their place in the economy of creation. C'était un naïf, le beau Josselin!

Big fleas have little fleas, and they've got to put up with them! There is no "poudre insecticide" for literary vermin—and more's the pity! (Good heavens! what would the generous and delicate‑minded Barty say, if he were alive, at my delivering myself in this unworthy fashion about these long‑forgotten assailants of his, and at my age too—he who never penned a line in retaliation! He would say I was the most unseemly grub of them all, and he would be quite right; so I am just now, and ought to know better—but it amuses me.)

Then there were the melodious bardlets who imitate those who imitate those who imitate the forgotten minor poets of the olden time and log‑roll each other in quaint old English. They did not log‑roll Barty, whom they thought coarse and vulgar, and wrote to that effect in very plain English that was not old, but quite up to date.