The Laird, bending over the stove, would cook the onions and beef into a savory Scotch mess so cunningly that you could not taste the beef for the onions—nor always the onions for the garlic!

And they would dine far better than at le Père Trin's, far better than at the English Restaurant in the Rue de la Madeleine—better than anywhere else on earth!

And after dinner, what coffee, roasted and ground on the spot, what pipes and cigarettes of "caporal," by the light of the three shaded lamps, while the rain beat against the big north window, and the wind went howling round the quaint old mediæval tower at the corner of the Rue Vieille des Mauvais Ladres (the old street of the bad lepers), and the damp logs hissed and crackled in the stove!

What jolly talk into the small hours! Thackeray and Dickens again, and Tennyson and Byron (who was "not dead yet" in those days); and Titian and Velasquez, and young Millais and Holman Hunt (just out); and Monsieur Ingres and Monsieur Delacroix, and Balzac and Stendhal and George Sand; and the good Dumas! and Edgar Allan Poe; and the glory that was Greece and the grandeur that was Rome....

Good, honest, innocent, artless prattle—not of the wisest, perhaps, nor redolent of the very highest culture (which, by-the-way, can mar as well as make), nor leading to any very practical result; but quite pathetically sweet from the sincerity and fervor of its convictions, a profound belief in their importance, and a proud trust in their life-long immutability.

Oh, happy days and happy nights, sacred to art and friendship! oh, happy times of careless impecuniosity, and youth and hope and health and strength and freedom—with all Paris for a playground, and its dear old unregenerate Latin quarter for a workshop and a home!

And, up to then, no kill-joy complications of love!

No, decidedly no! Little Billee had never known such happiness as this—never even dreamed of its possibility.

A day or two after this, our opening day, but in the afternoon, when the fencing and boxing had begun and the trapeze was in full swing, Trilby's "Milk below!" was sounded at the door, and she appeared—clothed this time in her right mind, as it seemed: a tall, straight, flat-backed, square-shouldered, deep-chested, full-bosomed young grisette, in a snowy frilled cap, a neat black gown and white apron, pretty faded, well-darned, brown stockings, and well-worn, soft, gray, square-toed slippers of list, without heels and originally shapeless; but which her feet, uncompromising and inexorable as boot-trees, had ennobled into everlasting classic shapeliness, and stamped with an unforgettable individuality, as does a beautiful hand its well-worn glove—a fact Little Billee was not slow to perceive, with a curious conscious thrill that was only half æsthetic.

Then he looked into her freckled face, and met the kind and tender mirthfulness of her gaze and the plucky frankness of her fine wide smile with a thrill that was not æsthetic at all (nor the reverse), but all of the heart. And in one of his quick flashes of intuitive insight he divined far down beneath the shining surface of those eyes (which seemed for a moment to reflect only a little image of himself against the sky beyond the big north window) a well of sweetness; and floating somewhere in the midst of it the very heart of compassion, generosity, and warm sisterly love; and under that—alas! at the bottom of all—a thin slimy layer of sorrow and shame. And just as long as it takes for a tear to rise and gather and choke itself back again, this sudden revelation shook his nervous little frame with a pang of pity, and the knightly wish to help. But he had no time to indulge in such soft emotions. Trilby was met on her entrance by friendly greetings on all sides.